New Vinyl Releases 10/13/17


  • ALA.NI – You & I
  • Barenaked Ladies – Gordon (25th Anniversary)
  • Beck – Colors (Red Vinyl)
  • Beck – Colors (Deluxe on Red Vinyl)
  • Beck – Colors (Indie Exclusive Pressing on Yellow Vinyl)
  • Ben Frost – The Centre Cannot Hold (Blue Vinyl)
  • Cherry – Dumbness
  • Courtney Barnett & Kurt Vile – Lotta Sea Lice
  • Enslaved – E  (Indie Exclusive’ 2-LP Pressing on Red w/ Bone and Grey Splatter w/Etched D-Side)
  • Green Day – Nimrod (20th Anniversary 2-LP Pressing on Yellow Vinyl w/Etched D-Side)
  • Jerry Garcia Band – Cats Under The Stars (75th Birthday Pressing on 180gram Yellow Marbled Vinyl)
  • Jerry Lee Lewis – Jerry Lee’s Greatest! (Indie Exclusive on White & Orange Vinyl)
  • Jets To Brazil – Four Cornered Night (Limited Edition 2-LP on Clear Vinyl)
  • Jets To Brazil – Orange Rhyming Dictionary (Limited Edition 2-LP on Clear Vinyl)
  • Jets To Brazil – Perfecting Loneliness (Limited Edition 2-LP on Clear Vinyl)
  • Joan of Arc – A Portable Model Of (Out of Print Since 1997!)
  • Joan of Arc – Live In Chicago, 1999
  • Jon Bellion – The Definition
  • Jon Bellion – The Seperation
  • Jon Bellion- Translations Through Speakers
  • King Krule – The OOZ
  • Knuckle Puck – Shapeshifter (Limited Edition 1st Pressing on Colored Vinyl)
  • Mannheim Steamroller / Chip Davis – Christmas Song
  • Melkbelly – Nothing Valley (Sunset Orange Vinyl)
  • Motorhead – Under Cover
  • Nashville Pussy – From Hell To Texas
  • Nashville Pussy – Ten Years of Pussy! (2-LP Comp)
  • Neaux – Chain Up The Sun
  • Portugal, The Man – Woodstock (Ten Bands One Cause Pink Vinyl, Ltd. to 3000)
  • Samael – Hegemony
  • Single Mothers – Our Pleasure
  • SISTERS – Wait Dont Wait
  • Skinny Puppy – Bites
  • Skinny Puppy – Remission
  • St. Vincent – Masseduction (Pink Vinyl + Poster)
  • Soundtrack / Clint Mansell – Loving Vincent
  • Soundtrack – The Return Of The Living Dead (Black & Brown Tarman Vinyl)
  • The Moms – Doing Asbestos We Can
  • The World Is A Beautiful Place & I Am No Longer Afraid To Die – Always Foreign (Limited Edition Clear Vinyl)
  • Tommy Castro And The Painkillers – Stompin’ Ground
  • Vessels – The Great Distraction
  • William Patrick Corgan (Smashing Pumpkins) – Ogilala  Available as ‘Indie Exclusive’ Pressing on Pink Vinyl or Standard Black Vinyl

New Vinyl Releases 10/6/2017


  • Angus & Julia Stone – Snow (180gram 2-LP on White Vinyl w/ Gatefold Jacket)
  • Jeff Beck – Live At The Hollywood Bowl (3-LP Gatefold Pressing w/ DVD)
  • The Black Dahlia Murder – Nightbringers (Indie Exclusive Clear w/ Black Swirl)
  • Blue Hawaii – Tenderness (LE on Tender Blue Colored Vinyl)
  • Colbie Caillat – Christmas In The Sand
  • Citizen – As You Please (Bone, Purple, and Gold Splatter Vinyl)
  • Clutch – Live At The Googolpex (Live Recordings from Chicago, Montreal, Kansas City, and Columbus)
  • The Clientele – Music For The Age Of Miracles
  • Cults – Offering
  • The Darkness – Pinewood Smile (Gatefold Pressing)
  • Dmitry Evgrafov – Comprehension Of Light
  • Lana Del Rey – Lust For Life (Gatefold 2-LP Pressing)
  • Four Year Strong – Rise or Die Trying (10th Anniversary ‘Ten Bands One Cause’ LE Pink Vinyl and Bonus7″, Ltd. 500)
  • Ace Frehley – Anomaly (2-LP Picture Disc w/ Poster, Liner Notes, and Download)
  • Liam Gallagher – As You Were (Indie Exclusive 180gram White Vinyl)
  • Haemmorhage – We Are The Gore
  • Andrew Hung – Realisationshhip (Indie Exclusive on Red Vinyl)
  • Alex Lahey – I Love You Like A Brother (LE pressing on Opaque Yellow Vinyl)
  • Master P – Ghetto D (1997) (2-LP Reissue)
  • Mirah – Sundial EP (Indie Exclusive on Clear Vinyl)
  • Mister Heavenly – Boxing The Moonlight (180gram Dark Purple Vinyl)
  • Mos Def – The Ecstatic
  • The Mothers Of Invention (Frank Zappa) – Absolutely Free (50th Anniversary 180gram 2-LP Reissue)
  • Moths & Locusts – Intro / Outro (Colored Vinyl)
  • Of Montreal – Rune Husk EP– (Ltd. 180gram Clear Vinyl)
  • Off World – 2 (180gram w/ Poster and Download)
  • Primitive Man – Caustic (2-LP Gatefold Pressing)
  • The Replacements – For Sale: Live At Maxwell’s 1986– 2-LP Gatefold Pressing
  • Reptaliens – FM-2030
  • Darius Rucker – Home For The Holidays
  • Shigeto – The New Monday (LE 2-LP Gatefold Pressing on Black with Pink Speckles, Ltd. to 1500)
  • Silkk The Shocker – Made Man (1999) (2-LP Reissue)
  • Sinatra, Frank – Ultimate Christmas (180gram 2-LP w/ Gatefold Jacket)
  • Kaitlyn Aurelia Smith – The Kid (2-LP on Twilight Colored Vinyl)
  • Sound Of Ceres – The Twin (Bone Colored Vinyl)
  • Soundtrack – Hellraiser (30th Anniversary Remixed and Remastered on 140gram Red/Black ‘Bloodshed’ Vinyl)
  •  Soundtrack – Moulin Rouge
  • Spotlights – Seismic
  • Surf Rock Is Dead – We Have No Friends? EP
  • Velcro Lewis Group – Amnesia Haze
  • Weaves – Wide Open (LE Orange Vinyl)
  • Jamila Woods – Heavn (LE on White Vinyl)
  • Zacherle – Zacherle’s Monster Gallery ( LE Orange and Green Pumpkin Vinyl)

Live Review: King Gizzard & the Lizard Wizard and Mild High Club at Lincoln Hall

Mild High Club and King Gizzard and the Lizard Wizard made a perfect pairing for a double header of sold out shows at Chicago’s Lincoln Hall. The two groups created an IRL experience of “Sketches of Brunswick East” for the first time. 

Mild High Club took the stage shortly after 8PM on Monday for a hometown show that featured collaborations and additional layers that brought their recorded music to life. Kicking off the collaborations, vocalist Quinn Tsan joined the group to sing alongside lead singer and frontman Alex Brettin. Shortly after Tsan left the stage to a swooping round of applause, the band added in a saxophonist for a few songs, followed by a brief guest appearance of Adam LP from new Chicago outfit wavy id. While both Sunday and Monday night’s set included popular songs like “Windowpane” and “Tessellation,” Brettin and his bandmates switched up the order of their set each nice to make their show even more dynamic. The combination of guest appearances, a refreshed setlist, and a trippy light show made for an all encompassing and captivating performance from Mild High Club.

Australian psych rockers King Gizzard and the Lizard Wizard hit the stage next with a blaze of guitar jams and pacing rhythms that never slowed down, thanks in large part to their two drummers. The seven piece group completely filled out the humble stage at the 500 capacity venue, and the crowd completely packed in to be as close as possible to stage. From the second the super group opened up with “Some Context” from their first album of 2017, Murder of the Universe, the audience and King Gizzard reciprocated one another’s energy levels. While frontman Stu MacKenzie would flip the top half of his body upside down, flail his guitar around, or flash his tongue to the crowd, the audience would thrash around in the mosh pit, which amplified in intensity as the 90 minute set progressed. The set spanned the course of several of King Gizzard’s albums, but the crowd got the rowdiest during “Rattlesnake” from Flying Microtonal Banana and “Gamma Knife” from Nonagon Infinity. At some points, a few audience members attempted to crowd surf (before being stopped by venue security). Nonetheless, the spirit of the crowd clung to the brim, never dipping as the ambitious Aussies kept up their signature pulsating pace. Just as King Gizzard’s set approached the finish line, they invited Alex and Mat of Mild High Club to join them on the stage to perform some of their collaborative album Sketches of Brunswick East, which made the stage even tighter than it already had been. The two groups performed the jazz-tinged “Countdown” and “Rolling Stoned” together before they all left the stage to a grateful and awestruck audience.

Photo Gallery of Mild High Club and King Gizzard and the Lizard Wizard



Check out all of our King Gizzard stock on the webstore here, or head into the store to pick up one (or a few) of their many albums!


This article was originally posted on ANCHR Magazine

New Vinyl Releases 9/29/17


  • 21 Savage – Issa Album
  • Archspire – Relentless Mutation (Ltd. to 500 copies)
  • Arkaik – Nemethia (Colored Vinyl)
  • David Bowie – A New Career In A Small Town– (Delux 13-LP Box Set)
  • Briqueville – II
  • Cap’n Jazz – Analphabetapolothology (180gram Black Vinyl Reissue)
  • John Carpenter – Chrstine (Original Motion Picture) (Reissue on Blue Vinyl
  • Concrete Blonde – S/T (1986 Reissue)
  • Concrete Blonde – Mexican Moon (1993 Reissue
  • Concrete Blonde –Walking in London (1992 Reissue)
  • Concrete Blonde – Free (1989 Reissue)
  • Concrete Blonde – Bloodletting (1990 Reissue)
  • Counterparts – You’re Not You Anymore (Indie Exclusive on Clear with Baby Pink Haze)
  • Depeche Mode – The Best Of (Vol. 1)
  • Felly – Young Fel EP
  • The Flaming Lips – Yoshimi Battles The Pink Robots (Picture Disc)
  • Florist – If Blue Could Be Happiness
  • Grave Pleasures – Motherblood (Transparent Red Vinyl w/ 16-Page Booklet and CD with Bonus Track)
  • Green Day – Dookie (Picture Disc)
  • Honey – New Moody Judy
  • Ibeyi – Ash
  • J Roddy Watson And The Business – Destroyers Of The Soft Life (White Vinyl)
  • Jaws of Love – Tasha Sits Close To The Piano (Indie Exclusive on Colored Vinyl)
  • Joan of Arc – How Memory Works (180gram Black Vinyl Reissue)
  • Joan of Arc – So Much Staying Alive And Lovelessness (180 gram Reissue)
  • Ted Leo – The Hanged Man
  • Loincloth – Psalm of The Morbid Whore
  • Mastodon – Crack The Skye (Picture Disc)
  • Mastodon – The Hunter (Picture Disc)
  • Mastodon – Blood Mountain (Picture Disc)
  • Jessica Lea Mayfield – Sorry Is Gone (Clear Vinyl)
  • Mad Professor Meets Jah9 – In The Midst of The Storm
  • Mike Will Made It – Ransom 2
  • Mudvayne – The End Of All Things To Come (Ltd. to 1000 copies on Red Vinyl)
  • Kadavar – Rough Times (Ltd. to 500 on Orange with Bone Splatter Vinyl)
  • Kaleida- Tear The Roots
  • Katy Perry – Witness (2-LP on Red Vinyl)
  • Shelby Lynne & Allison Moorer – Not Dark Yet
  • Palo Duro – Ryou Cannon
  • Pearl Jam – Let’s Play Two (2-LP Live Performance From Wrigley Field)
  • Primus – The Desaturating Seven (Rainbow Splatter Vinyl)
  • Protomartyr – Relatives In Descent (Indie Exclusive on Blue Vinyl
  • Smino – blkswn
  • Solange – A Seat At The Table (‘Strictly Limited Numbered Anniversary, 2-LP on 150gram Red Vinyl)
  • Ben Sollee – Ben Sollee and Kentucky Native
  • Soundtrack/ Geinoh Yamashirogumi- AKIRA
  • Susanne Sundfør – Music For People In Trouble (Limited Edition on Clear Vinyl)
  • TORRES – Three Futures
  • Unsane – Sterilize
  • Various – Sun Records’ Greatest Hits
  • Various – Now That’s What I Call Halloween (Orange and Violet Vinyl)
  • Various – Twin Peaks- Limited Series Soundtrack (2-LP on Neon Green Vinyl)
  • The Rolling Stones – From The Vault: Sticky Fingers: Live At The Fonda Theater 2015 (180gram 3-LP Set)
  • Kamasi Washington – Harmony Of Difference EP
  • Weeping Icon – Eyeball Under (Ltd. to 500 copies)
  • Wolf Alice – Visions Of A Life (2-LP with Gatefold Jacket)



Bulls and Roosters – A Chat with Danny of together PANGEA

Words By Alicia Maciel 

LA rock quartet together PANGEA is driving across the nation, touring in support of their latest full-length album Bulls and Roosters, via Nettwerk. The Bulls and Roosters Tour kicked off on September 14th in San Diego, CA and is wrapping up on October 22nd, and feature support from Tall Juan and  Daddy Issues.

Releasing a 1-minute-40-second gimmicky, nostalgic music video via Stereogum for the album’s mosh inducing lead single “Better Find Out”, directed by Steele O’Neal, heightened expectations of fans everywhere. The video can be seen HERE. “Better Find Out” is available to download/stream now HERE.

Co-produced by together PANGEA and longtime collaborator Andrew Schubert, and mixed by Chris Coady (TV On The Radio, Beach House, The Black Lips), Bulls and Roosters was recorded to two-inch tape at Golden Beat studios in Los Angeles and showcases a more matured sound than prior efforts.

We wanted to try new things and experiment with making music that wasn’t so aggressive or fast,” said singer/guitarist William Keegan. “Rather than worrying about any expectations, we were like, ‘Fuck all that. Let’s be as honest as we can possibly be.’ Sure, it’s growth, but there’s still a brattiness to it.”

Together Pangea have continually challenged themselves with each subsequent offering. Jelly Jam [2010] poured the gasoline, Living Dummy [2011] struck the match, and Badillac [2014] lit the fire with its revved-up nineties rock-inspired flames. Along the way, fan favorites like “Sick Shit,” “Badillac,” and “Offer” would rack up millions of Spotify streams. “Snakedog” became a plot point in a bonkers episode of NCIS and “Sick Shit” soundtracked a trailer for HBO’s Animals, while the group received support from Consequence of Sound, Pitchfork, MTV, Stereogum, and more. Following the 2015 release of The Phage EP, produced by The Replacements’ Tommy Stinson, the boys independently embarked on the journey to what would become Bulls and Roosters.

Bringing matured rock brattiness along with minimalistic, portrait album art – Bulls and Roosters represents together PANGEA’s growth and determinacy of “never making the same album twice”. Other than the album art alone standing out compared to their previous album artworks, Bulls and Roosters is a tame yet brash rock n’ roll earworm that’ll stay in listeners’ minds for years to come.

While on the road heading to their Nashville gig at noon central time, bassist Danny Bengston took some time to chat with me on the phone.

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Photo credit: Derek Perlman

Hey Danny, how are you?

Pretty good – it’s been a nice day, not too long of a drive. We’re driving to Nashville from Atlanta right now. We just played in Orlando yesterday. It was awesome, never played there before. The show was beyond our expectations!

That’s sick – was the show close to capacity?

The room was pretty big, a lot more people were there than we thought there would be.

To start off, I was wondering if you could tell me a little bit about your gear. What you got, any pedals?

I have two basses I take on the road, one’s a Rickenbacker maple wood and the other’s a Fender P bass. I play them through a 1978 Peavy Mark III bass amp head. 410115 bass cabinet and a chewing pedal.

What tones did you find in your equipment that resonates with your sound?

I’ve always liked my very first bass amp. It has a great, shitty sound so I just looked around until I got another Peavy.

When recording your bass tracks, do you record along with the drummer live or are the drums overdubbed?

Most of the time, we record drums, guitar, and bass altogether live. I think it really adds to the sound and it’s always better to play together. On this album, there’s one or two songs without everyone recording together.

Are the bass parts planned or is it more improvisation?

The bass parts are planned ahead. We tend to write a month in advance. So, we’d learn a new song and I’ll go into working on bass parts.

What’s the songwriting process like for the band?

Usually, William or I bring ideas to the table.

It seems you guys have taken a different approach to songwriting, less garage rock influenced and more honky-tonk, 60s/70s country rock. What drew you to this change other than simply bringing different sounds to your audience?

As a band, we decided collectively to keep writing music we enjoy and we take influence from the music we’re listening to during the recording process. During this album, we were listening to a lot of Rolling Stones, The Kinks, Tom Petty, Bruce Springsteen, and Neil Young.

I recognized you guys recorded Bulls and Roosters on tape. Is there a reason together PANGEA took the analog route?

We chose to go in that direction since it would fit the mood of the songs a lot better.


What’s your favorite track on the album?

After making the album and having some time away from it, “Gold Moon” is my favorite. I really like the vibe of the song, the guitar playing, and everything else about it.

Why did you choose to name the album after the track Bulls and Roosters?

It’s a reference to a painting by John Baldessari. It’s about selling artwork and we thought it fit well.

With Bulls and Roosters being a more minimalistic take compared to your previous, more aggressive works – do you feel it’s the best work of the band so far?

Definitely – I think it’s the best stuff we’ve done so far.

While you’re on the road, I figure you guys are already working on some stuff.

Yeah, we’re working on some things right now and are trying to get in the studio soon enough to get a demo done.

Is the Bulls and Roosters tour your first big, national headlining tour?

No, I think it’s our third or fourth American headlining tour. We did one for Badillac and The Phase.

I’m excited for your show here in Chicago on the 6th – are there any other cities you’re looking forward to hit?

We LOVE Chicago, it’s one of our favorite places to play. The crowd’s always really good, so are the people and the food. New York is always a spot to look forward to as well as Toronto. We’re looking forward to heading back to the west coast, too.

Check out together PANGEA on tour! Hope to see some fellow Chicagoans at Bottom Lounge Friday, October 6!

September 26 – Nashville, TN @ The End

September 27 – Carrboro, NC @ Cat’s Cradle – Back Room

September 28 – Baltimore, MD @ Metro Gallery

September 29 – Philadelphia, PA @ Voltage Lounge

September 30 – Brooklyn, NY @ Music Hall of Williamsburg*

October 01 – Boston, MA @ Sonia’s Nightclub

October 03 – Montreal, QC @ L’Escogriffe

October 04 – Toronto, ON @ The Hard Luck

October 05 – Cleveland, OH @ Mahall’s

October 06 – Chicago, IL @ Bottom Lounge

October 07 – Madison, WI @ The Frequency

October 08 – Minneapolis, MN @ 7th St Entry

October 10 – St. Louis, MO @ Firebird

October 11 – Ames, IA @ Iowa State University – The Maintenance Shop

October 12 – Omaha, NE @ Showdown

October 13 – Denver, CO @ Larimer Lounge

October 14 – Salt Lake City, UT @ Kilby Court

October 16 – Seattle, WA @ The Vera Project

October 17 – Vancouver, BC @ Biltmore Cabaret

October 18 – Portland, OR @ Analog Theater

October 20 – Sacramento, CA @ Harlow’s Night Club

October 21 – San Francisco, CA @ The Chapel

October 22 – Santa Cruz, CA @ The Catalyst – Atrium

Tickets for the tour are available now HERE.

Alicia Maciel is a junior at DePaul University studying marketing, music business, public relations, and advertising. Immersing in photography, promotion, interviews, interning at Metro and Notion Presents, managing The Chicago Vibe, curating live music, and plenty more – she hopes to bring innovation to the music scene. “A Chicagoan gal making music personnel personal.”