A Chat With: Matt Maeson

Considering he grew up playing music in prisons and at biker rallies with his parents, you could say singer songwriter Matt Maeson has quite the interesting backstory…But ultimately, it’s his dynamic vocals, piercing lyrics, and knack for storytelling that hooks listeners and fosters the growing buzz surrounding his music. With millions of streams racking up on Spotify and appearances booked at major festivals around the country, the momentum surrounding Maeson just keeps building, and he hasn’t even released a debut full length yet.

The music Maeson has released so far remains sonically multifaceted, with each song on his two EPs having a distinct sound of their own. Most of his songs tend to cover serious subject matters, but to juxtapose the heaviness that comes with some of his music, Maeson keeps the mood lighthearted on his social media, often cracking jokes on his Twitter. (Go follow him if you’re not already, trust me.) That same personality transfers over to his live show, so if you’re heading to Lolla this year, make sure you catch Matt Maeson on Friday, 8/3 at noon…but first get to know him a bit better. I recently caught up with him after his set at Bonnaroo last month, talking his favorite festival moments, his love of Chicago food, Johnny Cash selfies and more.

 Photo Credit: Matthew Reamer
Photo Credit: Matthew Reamer

So I know you grew up with a musical family, but when do you remember wanting to start making music on your own?

I was, like you said, raised in a very musical family, so from the time I was able to consciously receive music, I loved it. I started on drums when I was really young. I was like 3 or 4 and my uncle passed away and he left me a drum set. I just drummed away until I was 13 or 14 and then I picked up a guitar around 15, and that’s when I started writing songs. My dad would teach me chords. So 15, around that age was when I started writing, and I started performing live when I was 17. The rest is history.

When you started performing live, is there anyone you looked up to, or whose stage presence you admired?

That’s tough cause there’s different aspects. Vocals, Britney Howard from Alabama Shakes is insanely talented. Jeff Buckley is one of my all time favorite artists. Then Manchester Orchestra is a huge one for me.

Oh were you around yesterday when they played?

No I wasn’t I missed it! I missed them at Bottle Rock when they played the day after.

Oh no! One day you’ll get to see them! Anyone else who inspires you?

I love Johnny Cash. I love the way he performs… and I played in a lot of prisons growing up.

I caught your set earlier and before you played “Cringe” you said “This is the one everyone has been waiting for.” How does that feel since releasing that song to have such a viral response to it? What has been a highlight?

It’s sick! “Cringe” is my most streamed song so I know every show that’s what everyone wants to hear. I’d say that the really dope thing was I played this show at The Hawthorne in Portland, Oregon. That was the first show that I ever heard people singing the lyrics with me, and that was to “Cringe.”

Then you just mentioned you played Bottle Rock, you’re playing ‘Roo now, then playing Forecastle and Lolla too. What is your favorite festival moment and your worst festival experience that you’ve ever had?

I’d say my favorite festival moment would probably be the time I played this festival in Houston called In Bloom. It’s a smaller one, but it was my first festival. My girlfriend was there, I just played solo acoustic. And people were singing along. It was just the first big crowd at a festival I saw and played in front of. The least favorite was I went to this festival called Beach Goth in Orange County. It’s cool and the line up was amazing…it had three of my favorite artists; King Krule, James Blake, and Bon Iver were all headlining. The stages were so close together and it was so packed that if you were trying to see King Krule you were hearing like TLC play. And then if you were trying to see Bon Iver you heard this, and there was just so many people that I was like I don’t want to see any of my favorite artists like this. I’d rather wait to catch them in smaller shows.

What made you come up with the idea to release stripped versions of songs like “The Hearse” and “Cringe”?

[It was] mainly cause this is my first tour doing a full band thing. So everything before that was just acoustic. So that’s what people who have seen me live have grown to love. That’s when I think the songwriting really shines, when there’s not all this big production behind it, but it’s just this simple thing where people can really focus on the melody and lyrics. We put a couple out and people loved it.

My mom loves the stripped version of “Cringe!”

Yeah that song is streaming extremely well! It’s streaming better than the regular one.

What about new music? Are you working on that on the road at all or just focusing on touring these songs?

I mean, both. I don’t really try and force myself to write too often because I think that’s when the writing feels like it’s a job or something. It gets a little less sincere when you’re trying to force something out. Typically what happens is I’ll go on tour, I’ll get so drained and so exhausted, and then I’ll get home and write an amazing song. We’re definitely writing for the album right now.

So you’re coming to play Lolla, and I’m based in Chicago–

Yeah I love Chicago!

So what are you looking forward to about Lolla and coming to Chicago in general? Are you sticking around at all?

I will be because I’m doing a Lolla set and then I’m doing an after show, and then I’m doing another show…I think it’s just acoustic. So I’m doing the acoustic show and then I’m opening up for Gang of Youths, they’re awesome and I’ve done a couple shows with them! Then I do the actual Lolla set, so I think I’ll be there for three or four days.

Did you check out the rest of the line up at all?

The line up is insane. So good. I’m pumped. There’s definitely people I want to see, but I’ll know in about a month and a half from now.

Anything else you’re looking forward to doing in the city while you’re there?

I love Chicago. I would 100 percent live there if it didn’t get so cold. It’s brutal. I’ve been there in the winter and it’s so brutal. But Nando’s, I love Nando’s and it’s one of the only states that has them. Au Cheval, the burger spot. It’s insane. I love food. I still haven’t been yet, but my buddy works at the restaurant called Alinea. It’s insanely expensive. I just love Chicago, I love the people there.

Also your Twitter can be really hilarious, and I saw the other day you posted about people DM-ing you selfies. So if anyone in the world were to DM you a selfie, who would you want to slide into those DMs? We can even do dead or alive.

I would say Johnny Cash. Cause not only would that be amazing to receive a selfie, it would also be hilarious just to see a selfie of Johnny Cash.

Yeah, those don’t exist. Then last thing, do you have any unknown facts or something that you’ve always wanted to talk about that no one has brought up yet in an interview?

That’s a hard one! I skate…nobody ever asks me about that! If you look at my Instagram or something everyone I follow is pro skaters. I never get starstruck and the only people I get starstruck by are pro skaters. Which is funny cause they’re usually the chillest dudes.

When did you get into skating?

When I was super young, around 7. I’m not like great. I was better when I was 16, but I still love it. Love the culture.

Anything else you’re looking forward to or any last closing comments?

Looking forward to getting this album done. We don’t know when it’s gonna come out. It’ll either be late this year or early next year. Then we’re gonna do a fall tour that I’m pumped about. We’re still figuring it out if it will be a headlining or support tour.


 

Chicago, if you’re not going to Lolla this year, you can still catch Maeson at his aftershow–snag those tickets here.

This article was originally posted on ANCHR Magazine

A Chat With Night Riots

Over the past few years, Night Riots has toured relentlessly; from supporting the likes of The Maine and Andrew McMahon to their own headline runs, it seems like the five piece is constantly up on stage, engaging crowds in cities across the country. Night Riots’ discography showcases a wide range of different musical styles, but their contagiously catchy melodies remain consistent, as does lead singer Travis Hawley’s signature vocals, which have drawn frequent comparisons to The Cure’s Robert Smith. Hawley’s timeless vocals translate even more powerfully when he’s up on the stage, charismatically commanding the room’s attention with his magnetic stage presence and bond with the entire band. While their recorded music has this quality that makes it instantly like-able, Night Riots’ live show only amplifies that quality, making their concerts a must see.

If you still haven’t found your way to one of their gigs, make sure you change that this month as they tour nationwide with Silent Rival and courtship. The tour swings through Chicago on Friday, June 22nd, but before they hit the Subterranean stage, get to know them as they discuss their ideal companion in an elevator outage, their favorite Ewoks, how they stay entertained on the road and more.


You’ve been on tour with courtship and Silent Rival since the start of the month. What’s your favorite part of touring with each of these bands?

It’s been awesome to be with bands that are good people.  It’s not always the case that you get along with everyone you tour with but both bands are awesome and really talented.

Speaking of tour, you’ll be in Chicago again on June 22nd, and you’ve played in Chicago several times in the past. What are some of your favorite things to do here?

We try to make a point to stop by the Chicago Music Exchange.  That place is amazing…has so many guitars and synths and just rad music gear.  Also always gotta hit up a Pequod’s Pizza for that deep dish.

How would you describe your live show on this tour in 3 words?

Energetic, theatrical and transportive.

Your song “Breaking Free” was recently featured in the show 13 Reasons Why...If you could pick any other TV show to have your music on, what show would you pick and why?

I’d want to go back in time and get a song on Star Trek TNG.  Maybe even have us be like a holodeck band or something.

You’ve had a couple new singles out this year, which are both great! What other plans for new releases do you have this year?

We’ve kinda been releasing unconventionally.  We aren’t necessarily releasing songs as legit singles.  We just want to get new music out there…maybe we will compile it into an album this year.

What are some of your favorite songs or albums from this year so far?

J. Cole’s new album KOD is rad.  Vacationer is putting out an album we are stoked for.  The new Kid Cudi/Kanye West album that just dropped is pretty tight too.

I saw your tweet the other day about the Gunslinger Series by Stephen King. What are some other books you’ve been into recently?

The Dark Tower series has been one of the best series I’ve read in a long time.  The scope and storytelling in it is remarkable. I think almost the whole band has read it at this point.  I just read The Stranger by Camus. I felt weird for a week.

Even though it seems like you’re constantly on tour and consistently working on new material, you guys are still really great with engaging fans on social media. What are some tips you have for managing your time with crazy tour schedules and how do you make sure to prioritize fan interaction?

At the end of the day the only reason we can continue what we do is because of the fans.  So I think it’s important to remember that. You need to be true to yourself and make art that is real but you also need to remember why you do it.  It’s fun and another way to be creative and think of new interesting ways to engage, entertain and help transport people out of their everyday lives… at least for a minute. Sticking to a schedule and consistency is key.

 

If you were stuck in an elevator with someone for a few hours, who would you want to be stuck with and why? (It could be anyone in the world.)

Probably Shaq because 1) He’d probably cradle you like a baby and calm you down 2) He could just rip the doors off and save you and 3) If it all goes to shit and you’re stuck, you could live off eating his body for like 6 months.

What’s one thing you’ve never been asked in an interview, but you’ve always wanted to talk about?

Who my five favorite Ewoks are.  Not in particular order they are: Chief Chirpa, Paploo, Teebo, Wicket, and Logray.


Grab your tickets to see Night Riots at The SubT this Friday, June 22nd here, and follow them on Facebook + Twitter + Instagram.

P.S- You can also grab a copy of Night Riots’ latest album in the shop or order it online here.



This article was originally posted on ANCHR Magazine

Get To Know: Deeper

In a major city like Chicago, there’s always ample opportunities to catch local bands playing live music every night of the week. Especially with venues like The Empty Bottle, Schubas, and Lincoln Hall, you can often discover a new favorite hometown band by just getting to the show early enough to catch the opener. I first discovered Deeper by doing just that; showing up early to Twin Peaks’ ACLU benefit show held at The Empty Bottle back in March of 2017.

Since that show, Deeper has continued playing all around the city, from bars shows at The Whistler to a support slot at Whitney’s Valentine’s Day show at Thalia Hall. The band’s four members, Nic Gohl, Drew McBride, Mike Clawson, and Shiraz Bhatti, have also been hard at work putting the finishing touches on their debut record, which will finally be out on May 25th via Fire Talk Records. Around the release, Deeper has put out three singles; “Pink Showers,” “Pavement,” and “Feels,” all of which have garnered buzz and kept the momentum surrounding the album in full swing.

Just ahead of the album release, I met up with Nic Gohl and Drew McBride to get to know more about the band. Check out these six things I learned about Deeper so that you can also be in the know before the album drops.

 

 Photo By Alexa Viscius
Photo By Alexa Viscius

GROWING UP, THEY HAD SPLIT OPINIONS ON THE STROKES

“I hated The Strokes,” said no one ever…except for Deeper vocalist and guitarist Nic Gohl. “I like them now!” Gohl continues. “I had this vendetta against MTV and all that shit. I think I had a really shitty taste in music. I was into Ska bands at one point…” Unlike his bandmate, bassist Drew McBride talks about a fascination with The Strokes while discussing his early influences. “I think for me, the moment I was like wow I wanna play music, I was 12 or 13. I was a total nerd loser kid, so I would check out a ton of CDs from the library. I didn’t know much about indie rock before this, but I checked out The Strokes Is This It and- it almost sounds cliche looking back on it, but I listened to that and I was like oh my god, this is the coolest thing ever.  That was sort of it for me,” McBride says.

Despite Gohl’s self-proclaimed questionable taste in music growing up, he still managed to get into making music at an early age. “I think it was like second or third grade and my best friend had gotten one of those Squier starter packs. I was super jealous and really wanted to start playing music because they were, so I played my brother’s shitty guitar through his practice amp, and put the distortion on, and just started kinda hitting it,” he recalls about his early days of playing.

THE GROUP COMPLETELY CHANGED UP THEIR SOUND TWO YEARS AGO

Gohl’s music taste isn’t the only evolution the band has had over the years, it turns out. The original lineup that formed in 2014 actually had completely different songs and contrasted with the signature sound that the present-day Deeper has honed in on. For the group’s self-titled debut that’s out May 25th, the process only dates back to 2016, a couple of years after the start of Deeper. “It kinda started in 2016 when Drew joined the band. The name has been around for four years but before that, we were approaching music and trying to make something different,” Gohl says. “It’s essentially a different project, but the name stayed through,” McBride chimes in, Gohl joking that they basically didn’t feel like making a new Facebook page for the rebirth of the band.

“When Drew came on we basically got rid of every song we had before. So none of the stuff we were playing in the earlier form of Deeper came on. It’s different, completely. We were just starting from scratch. We would have a few and be like fuck it, we should get them down on paper before we forget them,” Gohl says about the writing process. “I think there’s some more guitar pop songs, and also some punkier songs that are a result of like when we recorded them. We were in a phase of writing songs that were a little more straight forward.”

THEY USED A PIECEMEAL PROCESS WHEN RECORDING

Since the band first started writing for Deeper 2.0 in 2016, their recording process has been an ongoing journey. “We started slowly recording with Dave Vettraino, who recorded the whole album and was also Drew’s roommate. They used to live in a place called Public House, where numerous records….the first NE-HI–” Gohl recalls, and McBride tosses in the names of Melkbelly, The Hecks, and Pool Holograph, just to name a few of the fellow Chicagoans who have recorded with Dave. “Everyone has recorded with Dave,” he says.

“Yeah, Dave’s the best. We basically started recording tracks down there. We’d do like two days, one weekend, and then we’d maybe get back together a month or two later and record another one. Slowly we had all the bones after about a year and a half. It was a long process,” Gohl adds, admitting it wasn’t the most efficient process.

About halfway through the recording of the tracks on the debut, Dave moved out of Public House and started working in other studios, which Deeper couldn’t afford at the time. “So we just had him come to our practice space and we recorded the rest of it there. So there’s definitely some differences in some of the songs you can hear,” the band says. While there is that difference in tone that comes from the multiple recording locations and sessions, the band also sees a positive side to piecing everything together. “The tones are a little bit different from song to song cause it’s not like all the drums were tracked at the same time and mic’d in the same way. It creates a wider range of sounds,” McBride says.

“The nice part about it, for a long period of time when putting the record together, I was kind of afraid of it sounding super piecemeal. That element makes it better for the listener. It evolves throughout the record, and kind of brings you in the different mind sets we were at when we wrote and recorded those songs,” Gohl reflects.

THEY BELIEVE EXPOSURE FOR SOME IS EXPOSURE FOR ALL

If you’re a fan of music in this city, you’ve obviously noticed the growing buzz around the current scene, which has sent more and more bands out on national tours. In the past few years or so, we’ve seen bands like Whitney, Twin Peaks, NE-HI, Post Animal and more start to regularly tour the country and drastically grow their audiences. With bands popping up over night, between either new musicians just starting up and established bands kicking up side projects, it can seem daunting to try to stand out among the masses. However, as Deeper points out, it’s more about camaraderie in Chicago, not competition.

“I forget who I was talking to, someone…it might have been Drew actually,” Gohl says, “But, it’s not like there’s a limit on opportunities. You know? I guess city wise, you’re fighting to get the bigger shows from bands coming from out of town. As far as getting on a record label or booking agency, if you’re gonna get on it, you’re gonna get on it. You’re not fighting those people necessarily. Focusing on that, you’re never gonna be able to do this. There’s no fucking point. I think I would never call each other competition. It helps out each other. Having like Twin Peaks and NE-HI definitely have helped us out a lot. Those are some of our closest friends. We got to watch them go through becoming a national act. Being able to see what they had to go through kind of helped us figure out how we want to attack this and make sure it can be as successful as possible.”

Elaborating on the communal spirit in the city, McBride says, “When people like Whitney or Twin Peaks are successful, then people start looking at what else is going on in Chicago, so I never think yeah it’s this competitive thing. Exposure for some is exposure for everyone. If someone is like ‘Oh man, Twin Peaks are cool. Who else is from Chicago?’ Oh you also like NE-HI? Check out Deeper!”

All in all, the band just want to keep their focus on their work and moving forward in their own time. “We really enjoy playing together, and we’re really happy to finally get a piece of music out. I feel like we’ve definitely been humbled through the process and with that, we have no set expectations of where…we definitely want to shoot for as far as we can go, but I think we know what we’re doing more and I think that we have an honest approach. I just want it to stay fun, and keep on progressing and be able to reach more people,” Gohl says.

TOUR HORROR STORIES WON’T KEEP THEM DOWN

Every band, especially those just starting out, tend to have some battle wounds when they return from a tour. As Deeper get ready to hit the road after the album release, they recall some eventful shows in both Nashville and NYC.

Starting off with the scarier of both tales, the band describes the time they played a Halloween show at Fond Object in Nashville, which is a record store with a performance space outside of a house. “We played with Jack White’s girlfriend at the time, who was on Third Man Records. I forget her name. We also played with these guys called the Boo Dudes. They were a Halloween cover band. They covered a bunch of songs and changed all the words to Halloween themes. Then they all wore costumes onstage. So the drummer was the Headless Horseman so it looked like he was drumming with no head,” McBride says. Gohl says they hung around with the Boo Dudes afterwards and had a great time, but the night had started off rocky when they found out the promoter had double booked, and they didn’t have the night. Despite the double booking fiasco, they got added onto the spooky bill and the night went from a dud to a great time.

The last time Deeper performed on the east coast, they also had an epic comeback while in NYC. “We’re having an album release show in New York as well because that’s where Fire Talk, our record label, is based,” McBride says. “To me, I’m excited for New York so that we have a little bit of redemption. Last time we played New York, we played two shows on a Friday and Saturday. As we were leaving the show on Friday- I didn’t realize it- but the car keys for our van fell out of my pocket and I didn’t realize until mid way through the next day. We’re about to go to load in and I’m like, oh my god, the keys!” McBride says they looked everywhere for the keys to the van they had rented through a service that’s the car equivalent to Air BnB, but they were nowhere to be found. After even checking with the Brooklyn precinct to see if anyone had turned the keys in, the band had to let the van owner know what had happened, and Uber their gear to their Saturday show. Just as they were about to give up hope of continuing their east coast tour, McBride says Gohl convinced him to check with the police station one more time. McBride recalls, “So I go in and check again and he’s like these? And pulls out the keys. I remember sprinting out of the precinct as he was filling out the discharge forms. I kicked open the door and I was yelling THEY HAVE THEM!” Gohl remembers the band members all going crazy with excitement over the return of the keys, mentioning they all went out all night in Chinatown to celebrate.

Hopefully when Deeper plays in NYC this time, they’ll only be celebrating a successful album release show, not the return of any more lost items.

MOST OF THEIR FAVORITE MUSIC SOUNDS NOTHING LIKE THEIRS

When shouting out other Chicago bands that they like to support, Gohl’s and McBride’s lists include the likes of Bunny, Pool Holograph, Clearance, The Hecks, The Knees, and so many more…a lot of bands that exist under the same Chicago rock umbrella. However, when it comes to listening to music from outside of the city, their picks come from all different genres.

“I am obsessed with this band from Philly- they’re a part of the 80’s post punk scene-called Crash Course In Science. They’re playing the Bottle for Cold Waves Fest, so I’m really excited to see them play. Besides that, honestly, I’m just obsessed with listening to DAMN. still. I think that will be my forever album,” Gohl says. “I’ve been listening to a lot more electronic music. I’m really into synthesizers and drum machines, which is definitely something we’ve been pursuing with some of the newer stuff,” he continues.

McBride agrees, adding,”I honestly have been listening to a lot of electronic or experimental electronic music instead of solely just indie rock. Like Nicolas Jaar and Jon Hopkins and things like that. I feel like all the other music that we listen to allows us to not get burnt out on what we’re doing. If I was only listening to the same kind of music that we’re making, I just don’t think I would enjoy it as much. I think also to evolve the sound, you can’t just listen to the things that sound the same as you. Otherwise the album is going to be similar to what you’re already doing or what your peers are already doing. By listening to like other genres, or electronic music, I think it allows us to find what we think is cool in music that’s not the same as us. Then bring that back. If these other artists did something cool in this way, I don’t wanna do that same thing, but I like the concept of how they did that.”



There you have it! Pre-order the Shuga exclusive of the record on white vinyl here, or swing by the shop to snag it on Friday.

Keep up with Deeper on Facebook + Instagram + Twitter


This article was originally posted on ANCHR Magazine

Get To Know: Slow Pulp

The four members of Madison-based outfit Slow Pulp craft memorable songs with their ability to seamlessly blend dreamy vocals with psychedelic tones, pop melodies, and a dash of cheeky, punk attitude. Since the band self-released EP2 last March, the songs on the EP have made their way onto curated Spotify playlists and collectively racked up over 200,000 plays, standing out among the masses of young, indie bands. And rightfully so; there’s something about Slow Pulp that instantly clicks with listeners and fans of live music alike. Their live show captivatingly translates their recorded music to the stage, giving them a magnetic presence.

This past weekend, Slow Pulp warmed up the stage for their friends Post Animal and will join them again on select dates in the summer.  It’s only a matter of time before they’re playing even bigger shows to new audiences across the country, so before they blow up, get to know Slow Pulp first with these five facts we learned while chatting to them at Daytrotter last month!

20180309-IMG_1764

SCHOOL OF ROCK IS THE REASON THEY’RE PLAYING MUSIC

Well, one of them anyways. Lead singer Emily Massey admits that the Jack Black film is the reason she started taking guitar lessons, but says her past with music stems back to a very early age. “My dad is a musician so I have been playing music and performing for pretty much my whole life,” Massey says.  “The first time I sang onstage, I was like one and a half….I don’t remember that. I remember doing a talent show in kindergarten. I really didn’t want to do it, my parents made me do it. I was crying before I went and sang. I sang ‘This Little Light of Mine’,” she recalls, adding that her dad produced a hip-hop, R&B instrumental track of the song for her to sing along to. Although she initially dreaded it, Massey learned to love performing during that experience. “This was at Emerson Elementary school in Madison, WI. Talent show. Kindergarten. I was five and I had the time of my life playing onstage.”

Guitarist Henry Stoehr says his venture into playing music started a little later than that. “Alex [Leeds] and I were just talking about this earlier actually, but I think it was 6th grade for me. We went to see Modest Mouse in Madison, and this band called Man Man opened for them. I feel like that was the first really strange music I heard, or at least saw live. I don’t know exactly what it did, but I felt like it–I started caring about things I didn’t care about that before,” he says.

Bassist Alex Leeds chimes in, saying the Man Man show created an existential moment for him as well. “It was better than Modest Mouse, it was crazy. I don’t think it made me want to play music… It changed the kind of music that I wanted to make.” Leeds continued on, shouting out School of Rock. “I was playing cello in the strings program in my elementary school, and when Jack Black said ‘Cello, you’ve got a bass,’ I was like that’s what I’m gonna do! Then I got a 2×4 and I put some front marks on it and started practicing some Beatles songs and played in the school show that year on the bass.”

THEIR FRIENDSHIP WITH POST ANIMAL TRACES BACK TO SIXTH GRADE

Slow Pulp and Post Animal have shared the stage many times, but the friendship roots between some of the band members dig deep. Throughout the course of my talk with Slow Pulp after their show at Daytrotter, members of Post Animal would pop by to chime in. “Six grade chemistry,” Post Animal guitarist Javi Reyes interjects; explaining that Leeds, Stoehr, and drummer Teddy Matthews have so much chemistry as a group because they’ve been playing together since sixth grade.

That same sense of chemistry transfers to a strong bond with Post Animal, too. “Jake [Hirshland] actually played with one of Henry, Alex and I’s band in high school,” Matthews says. Besides playing in bands with each other, the members of both bands also share an instrumental bond. “I gotta give a shout out to my dad…He made Jake Hirshland and Emily’s guitars…and the bass that I play,” Leeds says.

Despite all the history, the current day line up of Slow Pulp actually hasn’t been around that long, with Emily Massey being the most recent addition. “It’s been about a year and a half,” says Stoehr. “We took this trip to Philly and just played two shows. That was the end of 2016.”

“[After those shows,] they were like wait, Emily is okay. She can stay. I started in this band as rhythm guitarist and backing vocalist. Then it evolved. Now I’m a lead guitarist and vocalist,” Massey adds.

THEY’RE MOVING TO….

Just like their lineup has changed over time, Slow Pulp’s home base will soon change. Although they’re currently based in Madison, Slow Pulp has already garnered buzz in Chicago by playing shows ranging from DIY gigs at Observatory to support slots at staples around the city, like Beat Kitchen and Lincoln Hall. It won’t be long until the group continues to tick off more and more Chicago venues from their list, though, since they’re moving here!

“There’s a rumor flying around,” says Massey. “It is true. We are moving to Chicago. Over Summer/Fall/Winter,” she continues. At the moment, Massey, Matthews, and Stoehr are currently Madison based, while Leeds lives in Minneapolis. Come September, the band will still be somewhat divided, but not for long. “The three of them, Emily, Henry and Alex, are moving to Chicago in September…then I’m still in school til January,” says Matthews.

The band members say they’re all excited to be based in one place again by the end of the year, but they still have a lot of love for the Madison music scene. “One thing I was talking about on the way down here about the Madison scene… we were noticing differences between the Madison scene and the Minneapolis scene specifically, but I think it might apply more broadly than that… People, when they come out to shows, in my experience, realize that they’re also performers in that situation. And give a lot to the bands. In Madison,” Leeds says. “I love playing in Madison for that reason. It’s a very responsive crowd and we feed off that and off each other. I don’t experience that anywhere else,” he continues.

“It can also change very drastically very fast. It’s like, most of the young people are there for a few years for school. It definitely feels like the music scene changes every few years,” Stoehr adds.

THEIR INFLUENCES RANGE FROM ST. VINCENT TO THEE OH SEES

Slow Pulp possesses a refreshingly unique aura onstage, but they have an array of artists whose stage presence they admire and get inspired by. The group all simultaneously agree on loving the stage presence of TOPS. “I’ve loved their music for a long time, and when I went to go see them live, I was unsure what to expect, but I was blown away. They have a really cool way of presenting chill music in an exciting way,” Leeds says.

“I think mine are maybe Thee Oh Sees cause they’re so nuts. Then Omni because they’re so controlled,” Stoehr says. The group also all agree on Omni and Khruangbin as huge inspirations, calling the latter the “psychedelic Preatures.”

Lastly, Massey throws out some more inspiration from all across the genre-sphere, starting off with her old pals. “Post Animal! Javier Reyes is my favorite onstage live performer. He goes hard,” she says, continuing, “I’ve seen St. Vincent play, and that was a life changing show. It was so theatrical.” She pauses, adding “David Bowie forever!” to round things out.

THEY’RE ALSO VISUAL ARTISTS

While making their music, Slow Pulp is usually heavily influenced by tones, colors, and visual art. The link to visual art inspiring their sonic scapes comes from the band members all dabbling in art themselves, and that also comes across clearly in the vision behind their “Preoccupied” music video.

“We were very involved with it,” Massey says about conceptualizing the video, and the band members all explain that they had a fleshed out concept, but the process remained flexible and fluid throughout the day. “We kept coming up with ideas as we were filming,” Massey adds, also shouting out their friend and director Damien Blue for helping with vision.

The band’s artistic vision and flexibility to work through ideas transfers into their writing process as well. “I think we definitely talk about music in a visual way, and use visual art that we like as reference points for emotions,” Stoehr says. “I think especially with colors. We talk about colors a lot in that way– And I think we usually get it, in terms of colors…We’ll be like ‘I want this song to be brown’,” Massey elaborates.

“I think the way I think of songwriting is pretty similar to painting. At least for me they’re very problem-solving oriented and reacting to what you’ve just done. In a really immediate sense. You kind of just make decisions,” Stoehr adds. Even with their somewhat long-distance writing situation, with Leeds residing in Minneapolis, the band say they focus on writing music with their live show in mind. “Even in our current situation, we’re still trying to write songs that are live songs,” they say.



There you have it! As for the new music and material that the band have been working on, they say they still aren’t exactly sure when it will be released. At the moment they’re working through the different pieces they’ve created, trying to thread them together in a way that makes the most sense.

While you wait for this new content, make sure you catch Slow Pulp in concert this summer. See all of their tour dates here.


This article was originally posted on ANCHR Magazine

Get To Know: The Aces

A few weeks ago, I had the pleasure of sitting down with some of Utah’s finest talent, The Aces, in one of the lavish greenrooms at Chicago’s historic House of Blues venue. Instantly, sisters Cristal and Alisa Ramirez, Katie Henderson, and McKenna Petty proved to be as welcoming and genuine offstage as they seem onstage, greeting me with hugs and offers of the Lou Malnati’s pizza resting on their dressing room table. For anyone in the band’s already large (and steadily increasing) fanbase, or anyone who follows The Aces on a social media platform, their warm personalities wouldn’t come as a surprise at all. During their shows, lead singer Cristal Ramirez preaches positivity and keeps the entire crowd involved by charismatically working her way up and down the entire stage, while the rest of the band boast contagious smiles the whole show. One glance at their Twitter feed, there’s no shortage of fan interaction happening there. One listen to “Lovin’ Is Bible” from the group’s upcoming album When My Heart Felt Volcanic, and it’s clear the band have a mission of keeping love alive even in some of the most tumultuous times.

The Aces have already had a whirlwind of a year, embarking on their first ever tour only months ago, having since joined COIN on a nationwide tour and received endless positive feedback on recent singles. The band’s steady success proves that you get back what you put out into the world, and their 2018 is set up to only get bigger and better with the approaching release date of their debut album. Before the album comes out April 6th via Red Bull Records, get to know The Aces a bit better with these five must-know facts.

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Photo By Alexander Bortz

THEY’VE BEEN MAKING MUSIC FOR OVER 10 YEARS

In addition to the infectious positivity that radiates from The Aces while they’re onstage, there’s an incredible sense of chemistry between all of the band members when they perform. Their natural chemistry comes from their years of knowing each other, growing up together, and making music together from a young age. The band traces back, or tries to trace back to their original moment of interest in music, with Alisa kicking off the conversation, saying, “Cristal and I always talk about this, we genuinely can’t pin down the exact moment that we started a band, just because we were so young–” Alisa’s sister Cristal interjects to say that the two of them, as well as Katie, had musical families growing up. “Our older brother was always in metal and punk bands growing up. And that was really inspiring for me. I wanted to be him. Katie has older brothers, and Kenna has family in bands.”

McKenna recalls when the band actually got serious, attributing the motivation to another musician. “We did have a time as a band, when we had already been doing the band for a while, and we decided this was the time to actually pursue it. I was probably 15, they were 17. It was the night that Lorde won all her Grammys,” she said.  “I drove over to Cristal’s house and we all ended up there. We just knew we had to do it,” Katie adds.

Prior to the switch flip where the band decided to focus on music, Cristal says the girls all had other interests as well. “We were all kind of teetering. I always knew I wanted to do music. They all kind of had a couple different interests. Katie’s an amazing athlete. [Mc]Kenna is super good with graphic design and Alisa was super studious at the time.  But basically, we just decided we have something too special to not have an actual go at a career. We didn’t want to let that go. We had been a band at the point for almost like 10 years. As we put our hearts into it and worked super hard, it kind of all turned out,” she says.

THEIR INFLUENCES RANGE FROM QUEEN TO THE 1975

The Aces only embarked on their first ever tour towards the end of 2017 with Joywave, but despite their limited time playing to audiences across the country, the band all possess a completely captivating stage presence. They all give nods to other performers that inspire their live performances; Katie saying, “I have a lot of different inspirations. Some that aren’t even my role in the band. Someone who I think is so inspiring onstage is Freddie Mercury from Queen. I have a live DVD of them at Wembley Stadium that my dad used to watch all the time. I used to just sit there, and still today, I’ll watch it but [Freddie] just has such a power and control over the audience and he’s so fearless. You can tell that that’s where he’s most comfortable, and that’s so inspiring.”

Alisa chimes in next, adding “I feel like honestly, for me, I don’t feel like there’s anyone that I mimic on stage. I feel like I just really genuinely try to dance as much as possible and have fun. Cause I just love doing it. But I think if there is a drummer that I really love, we went to a Twenty One Pilots’ show a year ago. I honestly wasn’t very into Twenty One Pilots at the time, but when we went, it totally converted me. Josh was so dope. I love the way he performs. He’s amazing.”

“I have a few, I try to really watch front-men and front-women,” Cristal begins, before pausing to add “screw that term” about “front-women.” “It’s just frontman,” she continues, adding “Hailey Williams from Paramore is a huge one for me. I’ve always looked up to her for probably 10 years, since I was 13. Her… and then I really love feminine men onstage. Like Morrisey, Jonny Pierce from the Drums--“ Katie interjects to suggest Matty Healy of The 1975 as another feminine frontman. “Matty Healy! I feel like I look at like Freddie Mercury, and Mick Jagger, and they’re really kind of feminine and cheeky, and I just love that,” Cristal continues.

McKenna rounds out the conversation, saying, “I think I’m kind of similar to Al, I don’t have one specific person that I look up to or try to mimic. But I think bassists get a rep for not really moving a lot, and not dancing. That’s something I’ve had, like people say ‘oh, you dance so much!’ That’s something that I want to do is dance and have fun, even if I am a bassist. I don’t know if that’s a stereotype or not. I love it when people are very free and dancing on stage so that’s what I try to do.” If you’ve ever been to one of The Aces’ shows, you know that bassists can indeed have fun too…thanks to McKenna.

THEY DELIVER MUSIC THE SAME WAY THEY CONSUME IT

One trademark of The Aces that you might have noticed if you’ve been following them is the pattern in which they release music. Leading up to the album, the band has been drip-feeding a new song to their eager fans just about every two weeks. The band credits their team behind them with helping their true vision come to light, and that includes letting them release music the same way in which they consume it. “I feel like our first experience signing to a label and making a full length debut and touring for the first time, we’re just learning. The most beautiful thing about being with Red Bull is it’s a small team, so we’re very hands on. We have full creative control of everything, so we’re just learning every element of every single part of it. From making the record to marketing it, to every little detail. We’re literally just learning how to run our business. It’s been amazing honestly,” Alisa says.

“It’s very much about choosing the right people to be on your team. Who you let in to be close. Also who you want to work with. We’ve been building our team, like our manager and people at our label, and that’s been really awesome. We’ve always felt really good about Red Bull,” McKenna says, and Alisa chimes back in to mention that the band didn’t sign the first deal they were offered. They instead stuck it out until they found to right fit and the right team to carry out the band’s plans and their visions.

“I think that we are very just conscious of how people digest music now. And how we digest music. We still are holding back more than half the album. It will come out when the whole album comes out. We just really didn’t want to put out like one single and then drop the entire album. It’s better to feed fans in a way that they can digest. So they get one song and have it for a couple weeks. Then they get one more and have it for a couple weeks, and then they almost have half the album. Then six more songs doesn’t feel like that much more to really get into. I feel like sometimes when people throw albums out, just a 14 song album, people are like it’s overwhelming. It’s just in our day and age we don’t digest music like that. Just get them into it and ease them into it. I mean we’re a new–we’re not new cause we’ve been around a while in our hometown and stuff, but we’re a relatively new band. This is our first record. It was a very conscious decision on our part, and sitting with our label, being like how do we digest music? We’re 22 and 20,” Cristal muses, touching on the way that they have decided to release new music.

“We’re the age of our demographic,” Katie adds. Being the age of their own demographic allows for The Aces to be that much more relatable.  “It’s just so fun to put a song out, get everyone really excited, then within two weeks later, they get something else. They’re kind of starting to catch on that it’s like this quick thing and we kind of took that example from other artists that did really quick, steady roll outs like that. And just how exciting it was from a fan perspective to get that. So we wanted to do that for our fans as well,” Alisa says.

THEY’RE ALL ABOUT LEADING BY ACTION

Just like a lot of their demographic, the ladies of The Aces are very conscious of using their platform to promote safe spaces and a powerful message. They’ve already touched on the subject of being an all-female band and often getting pegged a “girl band” a few times,” even retweeting a tweet sarcastically calling out the fact that all male groups are not usually seen as rare, but The Aces continue to encourage their female fans with leading by a great example. “We always say that it’s leading by action. You know, so we just do it every day. We just get up on stage and we do it every single night. And we have a lot of people come up to us and be like holy shit, you guys are a great band! And it’s not always–I think when we were younger it was a lot like ‘Oh my gosh, you guys are such a great girl band! I’ve never seen all girls!’ We really take a lot of pride in that. We love that we’re all women. That’s a strength of ours and we don’t see it as a weakness, but at the same time, we do want to push that we are just a band. Even though we are women and we are very proud of that. [We] just normalize it. Cause we want more women in the industry. We want more all girl bands. We love girl bands. We just wanna see more women,” Cristal says. In addition to getting up onstage each night, the fact that Cristal paused after saying the term “frontwomen” to correct it to just “frontman” when talking about her stage presence inspiration, shows that she continuously works to push for gender equality in the entertainment world.

The Aces also work to keep that same inspiring presence in their fans’ lives offstage, by being interactive with fans online. “We kind of just want to set a good example. We always try to engage with our fans in a really positive way. If ever fans have come to use with a bullying situation or anything negative, we’re always there for them. We just try to spread positivity through our platform,” Alisa says.

Katie also adds that their single “Lovin’ is Bible” touches on that positivity. “It’s okay to love each other through the differences. It’s not hard to agree to disagree. Love is the most important thing. Always.”

“No matter what you believe. And I think us four all have—we have different views on a lot of things. But we’re best friends and it doesn’t matter. It’s okay that we disagree on certain things. Everyone’s different and that’s a good thing. It’s not a bad thing. You should learn to respect other people and love them for who they are,” Cristal adds.

SOME OF THEIR RANDOM SLANG INSPIRES THEIR SONGS

Speaking of their track “Lovin Is Bible,” the tune actually came together after the girls noticed some potential in one of their own slang terms. “We always just use the phrase…to describe something as Bible,” Alisa says. “Like, that shit’s Bible,” Cristal interjects.  “We were just being funny one night with our friends and we said that. And we were like that should be a song lyric, sarcastically almost. Then I remember I wrote it down in my notes, and then when Cristal and I went into a writing session, we were just like we really like that,” Alisa continues. And the rest is history; Alisa and Cristal showed it to their producer and they decided to run with it from there.

Although that single came together really naturally in an unexpected way, the band says their process varies drastically depending on the day. They do keep it natural and continuously bounce ideas around with each other, though. “I think we just write about a lot of things. The whole record is about tons of stuff. Just personal experiences. Like what it is to be a young adult and to be in your early 20s, and we’re going through a lot of stuff that a lot of people don’t go through. Like we’re traveling and touring all over. But also just exploring what it is to be young, and all those concepts are universal,” Cristal says.

Every day is different. A lot of the songs we walked in day of, nothing in mind, just jammed out and let the day tell us what we were gonna write. Then there were other times when we came in and it’s like oh one of us might have had a voice memo fleshed out in our demos for melody, or we might have had a concept or poem written out. We’ve had a couple of songs where one of us has come in with a poem and gone off that. It’s just different every time,” Alisa adds.

The band also says they’ve learned a ton from the entire process behind their first album.  “We just learned so much about next time around. How we can make things more concise. Work a little smoother. I feel like the first time is always the learning process, and we’ve been working on this album for so long, and finally finishing up working on making it a concise, cohesive package has been such a process and journey. But it’s also been so amazing to discover our aesthetic and get to be creative that way,” Katie says.

You can hear for yourself all of The Aces’ combined efforts in putting their debut record out by pre-ordering the upcoming album When My Heart Felt Volcanic from the band’s website.


There you have it! It’s already been a busy year of live shows for The Aces, but there’s plenty more chances to see them. Check out their upcoming tour dates here.

While you wait for The Aces to come to a city near you, keep up with them on social media:

Facebook // Twitter // Instagram

This article was originally posted on ANCHR Magazine