Knowhere’s Halloween Spookshow – A Chat with My Bad & Ex Okays

Words and Photos By Alicia Maciel 

Halloween – a time where music around the city consists of covers only shows, ranging from classic bands like AC/DC and David Bowie to more modern acts such as Radiohead, The Strokes, and even Paramore.

While most publications are showcasing the fantastic gigs happening at venues like Quenchers, Lincoln Hall, Hideout, and more – I decided to shine the spotlight on Knowhere, a DIY space hosting its 2nd Annual Halloween Spookshow. $7 for 7 acts, it’s an underground show full of locals you don’t wanna miss!

Knowhere Spookshow

I chatted with My Bad (playing as Pixies) and Ex Okays (playing as The Doors) prior to this shindig, which will start at 7:30PM (no punk time!). Find out why they picked those iconic rock bands, a little bit about their originals, and what to look forward to at the show!

What led to choosing Pixies and The Doors, respectively?

My Bad: We chose Pixies cuz we all really like ‘em (except Dez) and thought we could jam on the songs really well.

Ex Okays: There was a lot of back and forth about which band because we all mostly wanted our respective favorite bands (The Smiths, Weezer, Pixies, et cetera). We figured it made sense to choose one that none of us are radically raving about, but is still very groovin’ and has equally cool parts for all the instruments in the group – especially now that we’ve got keyboard and all.

Ex Okays, credit Alicia Maciel
Credit: Alicia Maciel 

Do you like the tradition of covers only around Halloween? Why or why not?

MB: We do like the tradition of covers (except Dez), but we’ve never done any up until now – mainly because we’ve spent so much time on our original stuff.

EO: Yes, it gives bands a chance to play something different and have a little extra fun during the spirit of the holiday. It also opens up the show to more people.

 

What do you think was the most difficult instrumentation while learning the tracks for Pixies and The Doors, respectively?

MB: Vocals have definitely been pretty f*ckin’ hard for us because Black Francis’s vocal arrangements are very stylized and he puts things in weird places that took us a little while to figure out.

EO: Learning Doors tunes challenged all of us but especially the organ and vocal parts had to be the most difficult since Ray Manzarek and Jim Morrison were such skilled musician.

My Bad, Credit unknown.jpg
Photo Courtesy of My Bad

Are you willing to name a track you’re covering? If so, what is it?

MB: We are willing to name a track we’re covering and it is “Monkey Gone to Heaven”.

EO: One of our favorites to play is “Roadhouse Blues”. All of us get really into the tune and put on our stank faces throughout the whole song.

 

How would you describe your original music?

MB: Our original music is a big mix of all of our individual music ideas/tastes/expectations. Our goal has always been to write songs people can jam to and it ends up creating a kind of alternative, classic rock, psych vibe. We’ve always been somewhat reluctant to declare a genre for My Bad as none of us really know – it’s kind of all over the place. We have songs that are short and fast called f*ck you, psych jams about knights, to a full EP of love songs.

EO: Maybe kinda like a fuzzy chorus-drenched melodic shitstorm but also the calm before it. We have a wide range of influences of older bands like The Beach Boys, The Smiths, Pixies and The Cure along with some more modern influences especially from Chicago (Twin Peaks, Smith Westerns, The Walters, Post Animal).

 

What are y’all working on right now?

MB: Right now, we just put out our Spooky Lovin’ EP so we’ll be getting back in the studio to continue working and recording. Hopefully by early next year get out the My Bad self-titled ep, which we’re really looking forward to.

EO: We’re currently recording some new tunes that we’ve been writing and plan to release an album soon. We’ve got a few singles on deck and have some shows in and out of the city coming up in the next month.


As the rest of the show includes covers of Townes Van Zandt, Marshmello, Dion & The Belmonts, Bikini Kill, and Nirvana – keep in mind that discovering and becoming fans of the bands is the priority at this all-inclusive safe space!

Mark the show in your calendar by RSVP’ing here. See ya there!


Alicia Maciel is a junior at DePaul University studying marketing, music business, public relations, and advertising. Immersing in photography, promotion, interviews, interning at Metro and Notion Presents, managing The Chicago Vibe, curating live music, and plenty more – she hopes to bring innovation to the music scene. “A Chicagoan gal making music personnel personal.”

 

American Grizzly – Instore Insight

Words and Photos By Alicia Maciel 

Good ole’ fashioned rock n roll band American Grizzly performed in-store Friday, October 6. From sharing a few beers together to talking about shows going on the same night, the Southsiders put on a cozy show that drew a lot of people in. With Matt Ladd on vocals, Jack Doyle and Dennis Wilson on guitars, Marty Funk on bass, and Anthony Perez on drums, American Grizzly is a fantastic local act worth listening to.

While “Love Somebody Else” is my pick from their noise rock twist on American folk music, I chatted with Dennis, Marty, and Jack to learn some more about the band.

How did you choose your band name?

Marty: I was listening to a My Morning Jacket album I just picked up called It Still Moves right around the time we first started playing together 3 or 4 years ago. I was listening to the record and admiring the album art, which has this really groovy bear wrapped in tinsel with geometric patterns all around the front and back covers and the name “American Grizzly” came to mind. We were throwing around band names at that time and I suggested American Grizzly and it kinda just stuck.    

Are you guys actually local? If so, what neighborhood are you from?

Dennis: We’re all local. We’re all originally from the Southwest Side and have been living in different neighborhoods throughout the city for a while. Our studio’s in Pilsen.

How did you guys get to know one another?

Dennis: We all met through a mutual friend group. Marty and I grew up down the street from each other and have been playing music together since 7th or 8th grade. Jack and I kind of knew each other from mutual friends then I saw him play some Black Keys songs at an open mic and called him up to jam a few days later (7 or so years ago). Jack knew Matt and Anthony from some other bands they played in. Once we all got together,  we realized how many friends we all had in common. It felt very natural for us all to hang out.

What gear do you have? If any of you are gear heads, what does your gear mean to you?

Dennis: Marty plays an Epiphone Thunderbird bass that looks super cool and always gets compliments on how it sounds. He’s currently in the market for a Fender Mustang bass. Jack plays a Fender Stratocaster and, on special occasions, Telecaster and has a few different Fender amps he plays (shoutout to his Fender Champion 600 which is a small tube amp that’s too small to gig with but sounds amazing). He also has a Waterloo acoustic that you’ll hear a lot on the next EP. I play a Gibson ES 390 hollow body electric guitar through a Vox amp. I also have a Musicvox Space Cadet 12 string electric guitar that’s made its way onto a few recordings and a Gretsch lap steel for when a bit of twang is required. Anthony will use anything he can get his hands on for drums/percussion. He once recorded a steak knife on a metal mesh screen and it was exactly the sound we were looking for. Matt has the good fortune of his instrument being his voice – pure and simple. I look at a nice instrument like a work of art. They’re so cool looking and have such personality. At least with guitars, the way they look and feel definitely influence how you play them.

What do you think about Chicago’s music scene?

Marty: Chicago has a great scene and a lot of cool venues and house shows to either play or catch a show. Since we moved into our studio in Pilsen a couple years ago, we’ve been catching a lot of shows at Thalia Hall and have been itching to play there.

If you can describe your music (genre, tone, etc.), how would you describe it?

Jack: The American Grizzly sound in most simple terms is good old fashioned rock ‘n’ roll, which gives us the luxury of pulling from a lot of different genres. Some of our tunes have heavy blues roots and others have a southern rock and/or country vibe. American Grizzly changes shape from show to show and album to album . We play folk songs, noise rock and pop tunes. We don’t really have a predetermined sound, so we can pretty much explore any area of music we want at any given moment and regularly do.

What’s your favorite song you’ve composed so far?

Jack: Favorite song we’ve composed so far is probably “Big City” because we got to collaborate with some awesome horn players and a great keyboard player here in Chicago. The song has a lot of energy and we enjoy playing it and listening to it. Anthony crashed his van the first time he heard the recording. That being said, our first album was recorded in Nashville, so any one of those songs could also take this slot.

Are you working on new music or touring soon?

Jack: We are going into the studio October 22nd to record a new EP. We are very excited. We are going to practice restraint.

What are your favorite Chicago bands?

Marty: We’ve all been diggin’ Lucille Furs album they put out a few weeks ago.

What are your influences?

Petty, Neil, Hendrix, Dylan, The Band, Auerbach, Aretha, Jim James, Dylan, Garcia, Petty, Lennon, Mic, Keith, Ray Charles, Natural Child, Brian Wilson, Allman Bros.,Freddie King, Jeff Tweedy, Pete Townshend, Clarence Carter, Denney and the Jets, John Prine, Stevie Wonder.


With their upcoming shows consisting of Lincoln Hall on November 2 and opening for Third Eye Blind December 1 at 115 Bourbon Street, make sure to catch American Grizzly before they hibernate in the studio to work on another EP.


Alicia Maciel is a junior at DePaul University studying marketing, music business, public relations, and advertising. Immersing in photography, promotion, interviews, interning at Metro and Notion Presents, managing The Chicago Vibe, curating live music, and plenty more – she hopes to bring innovation to the music scene. “A Chicagoan gal making music personnel personal.”

New Vinyl Releases 10/20/17

new


  • Tori Amos – Native Invader
  • Pastor T.L. Barrett And The Youth For Christ Choir – Like A Ship… (Without A Sail)
  • Brand New – Science Fiction (Indie Exclusive Red + Blue Vinyl)
  • Bully – Losing (Standard Black and Sub Pop Loser Edition)
  • John Carpenter – Anthology (Movie Themes 1974-1998) (‘The fog Over Antonio Bay’ Blue Colored Vinyl)
  • John Carpenter – Lost Themes (‘Obsidian Green’ Colored Vinyl)
  • John Carpenter – Lost Themes II (‘Last Sunrise’ Colored Vinyl)
  • Cut Worms – Alien Sunset EP
  • Daylight Dies – Lost To The Living (Clear Vinyl)
  • Daylight Dies – A Frail Becoming (Transparent Blue Vinyl)
  • Daylight Dies – Dismantling Devotion (Transparent Red Vinyl)
  • Destroyer – Ken (Indie Exclusive on Yellow Vinyl)
  • Esmerine – Mechanics Of Dominion
  • Gel Set – Body Copy
  • Grooms – Exit Index
  • Gwar – The Blood Of Gods (Ten Bands One Cause Pink Vinyl)
  • Dhani Harrison – IN///PARALLEL
  • Headroom – Head In The Clouds
  • Kllo – Backwater
  • Kreator – Live Kreation (2003)
  • Linkin Park – Minutes to Midnight (Limited Edition Picture Disc)
  • George Michael – Listen Without Predjudice Vol. 1 (1990)
  • Northlane – Mesmer (Limited Edition on Colored Vinyl)
  • Oasis – Dig Out Your Soul
  • Pet Shop Boys – Elysium
  • Pet Shop Boys – Yes
  • Professor Rhythm – Bafana Bafana
  • R. Ring – Ignite The Rest
  • Sepultura – Chaos A.D. (1993)
  • Jackie Shane – Any Other Way
  • Slipknot – Day Of The Gusano (Red Vinyl)
  • The Smiths – The Queen Is Dead (5LP Box Set)
  • Sodom – M-16 (Orange Vinyl)
  • Spoon – Ga Ga Ga Ga Ga (10th Anniversary)
  • Talk Talk – It’s My Life (1984)
  • Talk Talk – The Party’s Over (1982)
  • Trivium – The Sin And The Sentence
  • Uncle Acid And The Deadbeats – Vol. 1 (Stand Black and Indie Exclusive on Purple/Silver Vinyl)
  • Watter – History Of The Future
  • Zalus – Of Adoration (Transparent Blue Vinyl)

New Vinyl Releases 9/29/17

new


  • 21 Savage – Issa Album
  • Archspire – Relentless Mutation (Ltd. to 500 copies)
  • Arkaik – Nemethia (Colored Vinyl)
  • David Bowie – A New Career In A Small Town– (Delux 13-LP Box Set)
  • Briqueville – II
  • Cap’n Jazz – Analphabetapolothology (180gram Black Vinyl Reissue)
  • John Carpenter – Chrstine (Original Motion Picture) (Reissue on Blue Vinyl
  • Concrete Blonde – S/T (1986 Reissue)
  • Concrete Blonde – Mexican Moon (1993 Reissue
  • Concrete Blonde –Walking in London (1992 Reissue)
  • Concrete Blonde – Free (1989 Reissue)
  • Concrete Blonde – Bloodletting (1990 Reissue)
  • Counterparts – You’re Not You Anymore (Indie Exclusive on Clear with Baby Pink Haze)
  • Depeche Mode – The Best Of (Vol. 1)
  • Felly – Young Fel EP
  • The Flaming Lips – Yoshimi Battles The Pink Robots (Picture Disc)
  • Florist – If Blue Could Be Happiness
  • Grave Pleasures – Motherblood (Transparent Red Vinyl w/ 16-Page Booklet and CD with Bonus Track)
  • Green Day – Dookie (Picture Disc)
  • Honey – New Moody Judy
  • Ibeyi – Ash
  • J Roddy Watson And The Business – Destroyers Of The Soft Life (White Vinyl)
  • Jaws of Love – Tasha Sits Close To The Piano (Indie Exclusive on Colored Vinyl)
  • Joan of Arc – How Memory Works (180gram Black Vinyl Reissue)
  • Joan of Arc – So Much Staying Alive And Lovelessness (180 gram Reissue)
  • Ted Leo – The Hanged Man
  • Loincloth – Psalm of The Morbid Whore
  • Mastodon – Crack The Skye (Picture Disc)
  • Mastodon – The Hunter (Picture Disc)
  • Mastodon – Blood Mountain (Picture Disc)
  • Jessica Lea Mayfield – Sorry Is Gone (Clear Vinyl)
  • Mad Professor Meets Jah9 – In The Midst of The Storm
  • Mike Will Made It – Ransom 2
  • Mudvayne – The End Of All Things To Come (Ltd. to 1000 copies on Red Vinyl)
  • Kadavar – Rough Times (Ltd. to 500 on Orange with Bone Splatter Vinyl)
  • Kaleida- Tear The Roots
  • Katy Perry – Witness (2-LP on Red Vinyl)
  • Shelby Lynne & Allison Moorer – Not Dark Yet
  • Palo Duro – Ryou Cannon
  • Pearl Jam – Let’s Play Two (2-LP Live Performance From Wrigley Field)
  • Primus – The Desaturating Seven (Rainbow Splatter Vinyl)
  • Protomartyr – Relatives In Descent (Indie Exclusive on Blue Vinyl
  • Smino – blkswn
  • Solange – A Seat At The Table (‘Strictly Limited Numbered Anniversary, 2-LP on 150gram Red Vinyl)
  • Ben Sollee – Ben Sollee and Kentucky Native
  • Soundtrack/ Geinoh Yamashirogumi- AKIRA
  • Susanne Sundfør – Music For People In Trouble (Limited Edition on Clear Vinyl)
  • TORRES – Three Futures
  • Unsane – Sterilize
  • Various – Sun Records’ Greatest Hits
  • Various – Now That’s What I Call Halloween (Orange and Violet Vinyl)
  • Various – Twin Peaks- Limited Series Soundtrack (2-LP on Neon Green Vinyl)
  • The Rolling Stones – From The Vault: Sticky Fingers: Live At The Fonda Theater 2015 (180gram 3-LP Set)
  • Kamasi Washington – Harmony Of Difference EP
  • Weeping Icon – Eyeball Under (Ltd. to 500 copies)
  • Wolf Alice – Visions Of A Life (2-LP with Gatefold Jacket)

 

 

New Vinyl Releases 9/22/17

  • Balmorhea – Clear Language (Ltd. Ed. White Vinyl)
  • Behind The Shadow Drops – Harmonics
  • Between The Buried And Me – Colors (10th Anniversary Edition)
  • Brant Bjork (of Kyuss) – Europe ’16 (Recorded at The Columbia Theatre November 19, 2016)
  • David Bowie – Heroes (7″ Picture Disc)
  • Phoebe Bridgers – Strangers In The Alps (Ltd. Ed Lavender Vinyl)
  • The Brvnx / The Bronx – V (Color Vinyl)
  • Mariah Carey – Merry Christmas II You
  • Cold Specks – Fool’s Paradise
  • Bing Crosby – Christmas Classics
  • Cut Copy – Haiku From Zero
  • Dead Rider – Crew Licks
  • Godspeed You! Black Emperor – Luciferian Towers
  • Rupert Gregson-Williams – Wonder Woman (Original Motion Picture)
  • Hisato Higuchi – She
  • The Horrors – V
  • Ka Baird – Sapropelic Pycnic
  • The Killers – Wonderful Wonderful
  • Kyle Kinane – Loose In Chicago (Recorded Live at Metro!)
  • Jordan Klassen – Big Intruder
  • Fumio Miyashita – Live on The Boffomundo Show
  • Mogwai – Every Country’s Sun (Standard, ‘Indie exclusive’ Crystal Clear and 3-LP Box Set on Opaque White Vinyl available)
  • Van Morrison – Roll With The Punches
  • Omni – Multi-Task (Ltd. Ed Red Vinyl)
  • Ritual Howls – Their Body
  • The Rolling Stones – Their Satanic Majesties Request (50th Anniversary Edition)
  • Satyricon – Deep Calleth Upon Deep (White Vinyl)
  • Shout Out Louds – Ease My Mind
  • Ringo Starr – I Wanna Be Santa Claus
  • Ben Stevenson – Cara Cara
  • Moses Sumney – Aromanticism
  • Today Is The Day – In The Eyes Of God (1999)
  • Touch Sensitive – Visions
  • Lina Tullgren – Won
  • Various – Once Upon A Time At King Tubby’s
  • Various – Warfaring Strangers: Acid Nightmares (Ltd. to 2000)
  • Wand – Plum (LP and Cassette)
  • Chelsea Wolfe – Hiss Spun (Indie Exclusive on Oxblood and Black Vinyl, Ltd to 1000)
  • Wolves In The Throne Room – Thrice Woven (Clear With Grey Splatter)