Catching Up With: White Mystery

If you’re at all familiar with the Chicago music scene, you’ve undoubtedly seen White Mystery out and about over the years. The sibling duo of Alex and Francis White still manage to pack a serious punch with all of their live performances, despite only being a two-piece band. In addition to developing a full live show between the two of them, Alex and Francis have remained completely hands on with all aspects of the band, from management to booking tours to sending press releases…they do it all. In between all of that hustle, the pair still find time to put out an album every year on April 20th. Their latest, Fuck Your Mouth Shut, marks their eighth studio album, and their ninth is on the way in 2018. In the midst of working on new music, playing shows, and gearing up for tour, the duo developed their own TV show called (you guessed it)… White Mystery TV! The show has featured artists from all corners of the local Chicago scene and just wrapped its first season (but more on that later). Before White Mystery start their tour along the east coast and midwest Friday, September 1st, we chatted with Miss Alex White after their set at The Slippery Slope Anniversary party last weekend. Here are six things you need to know to get caught up with White Mystery!

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Credit:  Diane Alexander White

THEIR INFLUENCES PROVIDED “PERMISSION BY EXAMPLE”

While strolling down memory lane trying to pinpoint what first inspired her to pick up an instrument, Alex White describes two distinct childhood memories. “When I was pretty young, my mom would take me to the dollar store, called Amazing Savings. And they had discount tape cassettes of oldies music. Like all the great one hit wonders from the 60’s, and I really really loved those songs,” Alex recalls. She continues describing her journey to rock ‘n’roll, saying, “Afar as the moment that inspired me to start playing rock ‘n’ roll….And I’ve said this a couple times too because it was just that distinct of a moment that I remember… I was in fourth grade, and my parents were repurchasing their old record collections on CDs ’cause CDs were like a new invention, you know? I heard The Who for the first time, and the album was Who’s Next by The Who. It’s the classic song “Baba O’Riley,” which is like [singing] ‘Teenage Wasteland…’ And that song just really connected with me. Where I was like I need to play guitar, this is so cool!”

The inspiration continued through Alex’s teen years, where she found influence in other bands. “If you flash forward a little bit…Kim Gordon from Sonic Youth. I heard Sonic Youth and I was like I can do this! This is so great, this is so powerful. It’s a female singer, she’s playing guitar, it’s experimental…I really believe in permission by example. You see something and you’re like oh yeah, I could do that! Maybe better, or differently. And Sonic Youth really did that for me when I was about 14 or 15,” Alex says. She also reveals that some of her artistic and musical talent stems from somewhere down her family tree. “My mom played piano as a very young person, but her job is being a photographer. My grandfather, who passed away when I was like 5, really young, he played mandolin. So he never showed me how to play, and I don’t even have memories of him playing…But, I’m convinced that I’m genetically predisposed to having really fast fingers and that kind of thing. So while I didn’t know him very well and he never taught me, I feel that the heritage lended to it,” she says.

THEY’RE ALWAYS UP FOR THE DIY HUSTLE

In addition to rocking the stage all by themselves, Alex and Francis White know how to work the DIY system as a band…and man do they work hard! Talking about the benefits and challenges that they face being an independent band, taking on multiple roles, Alex says, “Well like anything there’s pros and cons to being DIY. The biggest pro is that when you take on multiple roles, like when you become the management, the licensing agent, the booking agent, and the art director… and the the creative force, you can make a career out of it.” She continues to give major props to her brother Francis, saying it’s very much a partnership. For any struggling musicians or music industry professionals, just remember Alex’s “permission by example” principle and look at how she has earned a living with White Mystery.

“This has been my job full time for 7 years. It’s a very bohemian lifestyle. I work really fucking hard and all day long, but in the comfort of my own home or on tour with a laptop,” Alex continues, vouching for the DIY lifestyle.  However, she does also recognize the potential downfalls. “The disadvantage is that it can be very challenging to penetrate these very established systems. Something like Lollpalooza…While we play big ass shows in Chicago, we played in Japan, we’ve been in Sundance Film Festival movies. We’ve played with Patti Smith and The Stooges many times. We played Riot Fest…for some reason it’s been damn near impossible to get into Lolla, while we’ve put 8 albums out,” Alex continues. She still manages to see the positive side of the situation and brace herself for the challenges, adding, “So there’s certain things, but I try to convince myself that everything happens for a reason, and I just kind of stick to my vision, and good things always happen when you do that. You’re gonna have challenges. Be prepared for the challenges.”

VIDEO GAMES INSPIRED WHITE MYSTERY TV

Well kind of…For the past month, White Mystery have invited different artists and musicians around Chicago over to talk, play music, and play video games. All while broadcasting live; hence the name White Mystery TV. Talking about the origin of this clever concept, Alex says, ” I have to give my brother Francis credit for it. He plays a lot of video games, and there’s this network called Twitch. It seems like a lot of people in the rock scene aren’t very familiar with it…It’s the second largest streaming service on planet earth. World wide.” Alex continues on to say that there’s been times on tour where she and Francis wished they could share their view with friends and family back home. “Before Facebook Live and Instagram Live…it was more like us driving through the Swiss Alps thinking this is so crazy and so beautiful, I wish we could show people back home what this looks like,” she says.

The inspiration to launch WTV also stemmed from their past work on a White Mystery film, called “That Was Awesome.” Alex says their past work on that film coupled with their desire to share their experiences beyond their live concerts helped push the project forward. “We’re realizing wow, our worldwide audience is able to watch us. So while there might be 100 people at the show, there might be 1000 people watching,” she continued. Talking more about the show itself, Alex says, “It took a long time to develop it because of the technology required to make the infrastructure. It’s not like ‘Hey I have an iPhone..” let me hold it up to something. It’s a little more sophisticated. So when people are watching they’re getting a little more of the Wayne’s World basement thing, but what we’ve done is bring all of our favorite musicians on. So people are like wow, that’s so great you have so many cool local musicians. Like The Orwells…Mario [Cuomo] was one episode one. Twin Peaks are freakin’ huge!” The show has also had rappers like ShowYouSuck, Joseph Chilliams, Mykele Deville, as well as newer buzzy bands like Bunny and Post Animal. “We’ve been trying to represent the city of Chicago so that we can share what’s going on here with our audience in like Germany and Japan. It’s been a really cool thing and they’re all archived on YouTube so you can watch them again. They’re like each 3 hours long,” Alex concluded. Make sure you tune into Season 2 when it starts!

THEY’VE WITNESSED THE PEAKS AND VALLEYS OF THE CHICAGO SCENE

Speaking of representing the local Chicago scene on White Mystery TV, Alex and I also discussed some of her favorite parts of the scene at the moment, and how it has gone through cycles. “Chicago is a very special place. I’m born and raised here in the city. Having gone to New York and LA and San Francisco…Chicago is a very supportive, cooperative scene. There’s a lot of idea exchange and support,” Alex says. 

“I guess what I love most is the mutual support people give each other, and that goes across the arts. That goes to comedians. DJs. Actors and Actresses. Everybody is like ‘I’d love to help you with that.’ It’s not this cut throat thing. There’s friendly competition where we push each other higher. But the community is full of support,” she continued. 

This principle of helping each other out and lifting each other up can be seen just on White Mystery TV alone, when genres are mixed and collaborations extend to poets and performing artists, not just musicians. It’s also demonstrated in Lollapalooza performances here, like when Joey Purp showed up for a song with Whitney. “It’s genre bending,” Alex says before shouting out her favorite venues in the city. “I love the Empty Bottle. The DIY scene is very, very strong. There’s a new one every time. I’m kind of older than a lot of people in the scene. So how you were saying ‘Wow, Chicago’s really popping right now…” I’ve seen several cycles take place. There was a point when I was younger when a place like The Empty Bottle would not book rock shows. They would only book very kind of indie stuff. I’ve seen it with highs and lows. And it’s always good, and there’s always stuff happening, but there’s definitely times where it’s thriving and that’s cool to watch,” she says.

“I try to convince myself that everything happens for a reason, and I just kind of stick to my vision, and good things always happen when you do that. You’re gonna have challenges. Be prepared for the challenges.”

— Alex White on Being a DIY Musician

THEY STAY ENTERTAINED ON THE ROAD BY READING WIKIPEDIA PAGES

Since they’re gearing up for tour (starting tonight), Alex and Francis discussed how they stay entertained on the road and what they’re looking forward to on this particular run. Although Francis had been loading out for most of the interview with Alex, he jumped in for this question. 

“Reading Wikipedias is a very interesting way to observe a story of a person or place or event,” Francis chimed in about their road trip habits. Off the back of that, Alex says, “I read books to him for hours at a time. I recently read the entire Mount Everest Into Thin Air book to him. I read the whole thing. We read Wikipedias…He drives, and I’ll read. Hours will go by. We’ll be like oh my gosh, you know that was 3 hours. Sometimes you read these biographies of like James Brown and you’re like crying at the end. You’ve started with the moment they were born and gone through their whole life, to the moment they died. It’s very emotional to go on that trek.”

Although they educate themselves on the road by reading, the biggest lesson from touring and playing music is unrelated to Wikipedia and books. “I never really had to learn this lesson, it was just something we knew, but don’t leave your guitar or money in the car. Don’t leave your passports. Or the stuff you need. Ever,” Francis says. Alex and Francis both emphasized the importance of knowing when to stick together and not splitting up while on the road. 

As far as where they’re most excited to play on this run? “Meltasia,” both of them said in unison when I asked. “I’m looking forward to Meltasia, but I’m mostly looking forward to the drive into Meltasia cause for my sister and I, it’s always a really special drive where we blast Led Zeppelin…we’re going deep into the woods, further and further and further away. Usually all we have is a case of beer and that’s it. No tents, no water, and we just know we’re gonna hang as long as we can, and shotgun as many beers as we can. The build up to it is one of my favorite feelings throughout the whole year,” Francis elaborated. “It’s the anticipation of getting there. It’s the journey. A lot of people have told that to me in my life, and now I really, really believe that,” Alex chimed in. 

DESPITE HER VINTAGE STYLE, ALEX ADMITS SHE’S BAD AT THRIFTING

Again, if you’ve seen White Mystery around, chances are you’ve noticed Miss Alex White’s incredible retro inspired style, and no one pulls it off as well as she does! Fortunately for Alex, she’s able to acquire most of her clothes, she says, admitting that she’s not actually that great at thrifting. “A lot of my stuff just comes from my friends. I get a lot of custom made clothing now. When I went to The Grammys I had this amazing custom made jumpsuit. I was the Vice President of the Recording Academy for the Midwest. So I’d go to the Grammys and get to walk the red carpet with all these cool clothes,” Alex reveals.

Alex also gave her mom props for being a great thrifter, even though that didn’t pass down to Alex.  “What I love shopping for is shoes. These shoes, they’re just really practical and comfy, just wood platforms…I’ve had so many versions of this kind of shoe. We were in Beverly Hills and we played on late night television, The Carson Daly Show. After we were walking around Beverly Hills. I was like oh, a shoe store, cool! I go in there and find these, they’re made in Portugal, I was like oh, I like ‘em…once in awhile treat yourself. So I bought these shoes, I left the store, and I look at the storefront and see this is like an old lady shoe store. I just bought shoes from like an orthopedic shoe store,” she recalled. 

Alex’s once last piece of style advice? “I don’t buy vintage shoes…vintage clothes, but never vintage shoes. I was crossing the street once in a vintage pair of shoes, and my heel broke, and I wiped out on the street. I was like never again!”



Check out all of White Mystery’s tour dates below and keep up with them on social media.

White Mystery: FacebookTwitterInstagram

09/01/17   Experimental Procedures Chelsea, MI Details
09/02/17   Happy Dog Euclid Tavern Cleveland, OH Details
09/03/17   Arsenal Lanes Pittsburgh, PA Details
09/04/17   The Pharmacy Philadelphia, PA Details
09/07/17   St. Vitus Brooklyn, NY Details
09/10/17   Meltasia Fest East Durham, NY Details
09/11/17   Bug Jar Rochester, NY Details
09/13/17   State Street Pub Indianapolis, IN Details
09/15/17   Trumpet Blossom Iowa City, IA Details 
09/16/17   Farnam Fest Omaha, NE Details
09/22/17   Ingenuity Fest Cleveland, OH Details


Also- Listen to White Mystery’s 8th album Fuck Your Mouth Shut below or grab your own copy from the Shuga webstore here. (You can also scoop one up at the shop!)

https://open.spotify.com/embed/album/3z2grSnDNnDwZV8GvI5q9Y

This article was originally posted on ANCHR Magazine.

New Vinyl Releases 9/1/17

  • The Babe Rainbow – S/T
  • Dalek – Endangered Philosophies
  • Fantastic Negrito – The Last Days Of Oakland
  • Fifteen – Buzz (1994) (Maroon Vinyl, Ltd. to 1000)
  • The Haunted – Strength In Numbers (Clear Vinyl, Ltd. to 300)
  • HVMM – Talk To Me Like I’m Dead EP
  • INHEAVEN – S/T (Limited Edition Red Vinyl)
  • LCD Soundsystem – American Dream
  • Madeline Kenney – Night Night at The First Landing (Purple Vinyl)
  • Monster Magnet – 25… Tab (1991)
  • Monster Magnet – Spine Of God (1991)
  • Nightbringer – Terra Damnata (Red Vinyl, Ltd. to 300)
  • Joan Osborne – Songs Of Bob Dylan
  • Paradise Lost – Medusa (Purple Vinyl, Ltd. to 700 and Bottle Green with Purple Splatter, Ltd. to 300)
  • Petite League – Rips One Into The Night
  • Alan Silvestri / Soundtrack – Predator (Brown and Green Camo Vinyl, Ltd. to 1300)
  • The Slits – Return Of The Giant Slits (1981) (Fluorescent Yellow, Ltd. to 1000)
  • Tender – Modern Addiction
  • Totengoff – Doppelganger
  • Umphrey’s McGee – Mantis (Green Vinyl)
  • The Verve – Urban Hymns (20th Anniversary Super Deluxe)

Remo Drive From The Rearview Mirror

Words and Photos by Alicia Maciel


Hailing from Minnesota as an independent alternative rock band, Remo Drive  is impressing emo-rival enthusiasts with their self-debut “Greatest Hits” and they’re not losing momentum any time soon.

RD-8Within a week’s worth of time, Remo Drive headlined Subterranean, their Audiotree session premiered, and they released a camp-themed music video for “I’m My Own Doctor.” They harnessed all the energy building and continue to move forward rapidly.

The original line-up consists of brothers Erik Paulson (vocals/guitar) and Stephen Paulson (bass) along with close friend Sam Mathys (drums). They’ve added Zack Cummings to play guitar on tour and were joined by Michael Kwan for keys/aux percussion at a Lollapalooza after show and Audiotree session.

While there is some controversy amongst fans about piano playing in live sessions, the addition emulates a full, richer sound and shows that Remo Drive is more than just an emo revival band by crossing the lines of emo and indie.   

RD-5“Greatest Hits”  deters from their raw, emo-punk inspired “Demos 2014” and pushes them toward the broad category of alternative rock. In doing so, Remo Drive’s style is appealing to practically any listener as subtle moments of post-punk and emotional music bring high, aggressive energy to the tracks – grasping attention easily.  

With song themes ranging from facing reality, romanticism, mental and physical health (as blatantly seen in “I’m My Own Doctor”), Remo Drive’s simple, straightforward composition creates a sense of empathy with the listener. Past the music, the band interacts genuinely with fans as much as possible whether it’s face to face or over Twitter through likes, retweets, and threads. Such constant interaction is hardly seen nowadays which is why Remo Drive is standing out as a remarkable, personable band.

Nostalgia’s found when listening to the band’s techniques and mixing throughout the album. Remo Drive’s “Greatest Hits” album cover and logo radiating a love for the 80’s and the minimalistic, catchy composition stylings ranging from the riffs and lyrics coming from members Erik and Sam – they’re emphasizing the importance of branding and style for up and coming independent bands.

AM-080217-3Self-composing and recording “Greatest Hits” while striving to hire local professionals for any work necessary, Remo Drive is paying homage to their DIY roots while venturing into performance at professional venues across the nation. It really makes one wonder if they’ll do a DIY tour soon enough (yes, they totally should!).

From hardly being known at the beginning of this year to their vinyl pre orders selling out and gaining a cult following, who knows what to have other than high expectations for Remo Drive.

Catch Remo Drive on a co-headlining tour with McCafferty and supporting Hippo Campus in the fall! Get tickets here.


Personal quote: “Being an overall rock music lover, Remo Drive inspired me to photograph them in May when I had no idea who they were. These guys are really something else.”

The following is a list of bands their music sounds inspired by //

Remo Drive’s Influencers Recipe:

Title Fight 

Joyce Manor 

Weezer 

Vampire Weekend

The Police 

Two Door Cinema Club

Turnover 


Alicia Maciel is a junior at DePaul University studying marketing, music business, public relations, and advertising. Immersing in photography, promotion, interviews, interning at Metro and Notion Presents, managing The Chicago Vibe, curating live music, and plenty more – she hopes to bring innovation to the music scene. “A Chicagoan gal making music personnel personal.”

 

A Chat With: Toothless

“Even toothless, she can still bite off a boy’s head.” This is the quote that inspired Ed Nash of Bombay Bicycle Club’s newest project, Toothless. Following the project’s inception, 2017 has already been a whirlwind for Nash. After releasing the collaboration-laced debut album from Toothless, The Pace of The Passing, back in January, Nash has already followed up with a six song EP, Palm’s. The project has also been constantly expanding the live show, playing festivals like Secret Garden Party and the upcoming Reading and Leeds Festivals. Before Toothless hits the road to tour the UK and Europe, find out more about the inspiration and influences behind Toothless…including more on the quote that started it all. Nash also talks new music and his collaborations with the likes of Marika Hackman, The Staves, and Liz Lawrence. Get to know Toothless now!

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Photo Courtesy of Toothless

Rachel Zyzda: When did you first decide to branch out to your own side project and start working on Toothless?

Ed Nash: I have always written and recorded my own music, and had intended to release it long before I got ’round to it. My commitment to Bombay Bicycle Club kept on growing over the years as the band got bigger, and as a result I didn’t have the time to put into my own project. It was only at the end of 2014 when we decided to take a break after touring the last Bombay record that I finally had enough time to do it! I had the name and a lot of the ideas beforehand just not the time.

RZ: The story behind your moniker is quite interesting, with the inspiration stemming from a Raymond Pettibon drawing with the caption “Even toothless, she can still bite off a boy’s head.” When you were writing for the debut Toothless album, The Pace of the Passing, did you find yourself drawing inspiration from different forms of art, and are there any particular influences that stand out?

EN: Absolutely! All of the album and single artwork was inspired by a Charles and Ray Eames show that I saw at the Barbican in London. There was a video called “The Power of Ten” that was my main focus. A lot of the songs on the record draw from Greek myths and The Odyssey. I like using preexisting stories in my own songs to help get my own points across.

RZ: The album also featured a few different collaborations, like “Palm’s Backside” with Marika Hackman and “The Sirens” with The Staves. How did these working relationships with these artists come around and what was your favorite part about the collaborative songs?

EN: Most of the features on the album are people that I was lucky enough to have met through touring and playing shows over the past ten years, Liz Lawrence sang with my band throughout 2014, and we played multiple shows and shared studio time with Wild Beasts. That’s not to say that I used these artists only because I knew them personally, they couldn’t be gratuitous or for the sake of getting cool people on the record. For example, Tom from Wild Beasts has a beautiful baritone voice, the opposite to the way I sing, and the part he recorded really needed that style of singing.

RZ: Who else would you love to work with in the future and why?

EN: I really want to work with my favorite producer Dave Fridmann. The timing’s never been right so far as he’s a busy man. I’m not going to stop trying.

AM: You just released the EP “Palm’s” earlier this Summer, following the debut LP released earlier this year, which is quite a quick turnaround! Have you already started writing for the next album or EP?
EN: People keep saying it’s a quick turnaround but to me it feels quite slow… As this is the only thing I do I think I get very impatient. I’ve started writing and recording the next full Toothless album and hope to get that out at some point next year. I’ve also got an idea for another EP, I haven’t told anyone about that yet though!

RZ: Taking the songs to the live sense then, what is the usual band setup for your shows and what are some of your favorite songs to play out live?
EN: It’s taken the best part of a year to get the live show to a point where I’m fully happy with it. As I played almost everything on the record, it was very hard to adapt the songs to work with a live band. The live show now consists of a 5 piece band with two guitars, bass, keys, drums and a hell of a lot of singing. I absolutely love playing “Sisyphus” live, not only is it the most upbeat song in the set but we have added a Kraut Rock style outro that gets pretty wild!
RZ: You’ve got some shows in the UK and Europe this fall, but any plans to tour stateside soon?

EN: We don’t have any plans to head to the US at the moment unfortunately, though I am incredibly keen to get back soon. We played two shows in New York and Los Angeles at the beginning of the summer which were some of the best shows we have done.

RZ: On the same subject of tours, you’re playing a Sofar Sounds show on September 20th to support Amnesty International and Give a Home, which is such a great cause to be involved with! Are there any other charities or causes that you’re passionate about?

EN: Yeah, I’m really looking forward to the Amnesty show! Over the years I have done quite a lot of stuff for Amnesty International and I love the Sofar Sounds shows too. It’s going to be a great event. With Bombay we did quite a lot of shows for the Teenage Cancer Trust. They are a truly fantastic organization. I will always continue to support them.

RZ: What new music are you listening to lately that you’d recommend to your listeners?

EN: This week I have been listening to the new Grizzly Bear record. I love it, though, I am probably biased… I fucking love Grizzly Bear.
RZ: Anything else coming up in the next year that you’re looking forward to?

EN: I’ve decided I want to paint my next record cover which I’m super excited about. I painted the cover to the Bombay record Flaws but haven’t done anything proper since then. I have been painting small portraits over the past few months to get my technique up to scratch for the real thing.



Keep up with all the Toothless updates by liking the official Facebook Page, and listen to The Pace of The Passing in full here.

New Vinyl Releases 8/25/17

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  • 21 Savage & Metro Boomin – Savage Mode
  • A Giant Dog – Toy
  • Abhorrent Decimation – The Pardoner (Gold Marble Vinyl)
  • Akercocke – Renaissance In Extremis (Colored Vinyl)
  • Blood Feast – The Future State Of Wicked (Blue w/ ‘Blood Splatter’ Vinyl)
  • Cage The Elephant – Unpeeled (2017) Black Vinyl and Limited Edition 140Gram 2-LP on Orange-Scented / Orange Colored Vinyl available
  • Alex Chilton – A Man Called Destruction (1995) Gatefold 2-LP 1st Pressing on Translucent Blue Vinyl w/ Download
  • Conveyer – No Future (Colored Vinyl)
  • Jack Cooper (of Ultimate Painting) – Sandgrown (Tangerine Vinyl)
  • Death Worship – Extermination Mass
  • Rick Deitrick – Gentle Wilderness (1978) (Limited To 500 Copies)
  • Rick Deitrick – River Sun River Moon (1977-78) Previously Unreleased Recordings
  • Der Weg Einer Freiheit – Finisterre (Limited to 1000 Worldwide)
  • Enya – The Very Best Of
  • Erasure – World Be Gone (Orange Vinyl)
  • Get The Shot – Infinite Punishment
  • Gogol Bordello – Seekers And Finders (Limited Blue Vinyl and Indie Exclusive Blue/White Marble Vinyl available)
  • Gold Class – Drum (Limited Edition Pressing on White Vinyl)
  • Gordi – Reservoir (Limited Edition Gatefold on ‘White and Magenta Marbled’ Vinyl)
  • Hand Habits – Yr Heart / Carpenter’s Daughter 7″
  • Ledge – Cold Hard Concrete (Limited Edition ‘Oxblood’ Colored Vinyl)
  • Liars – TFCF (Limited Edition Pressing on Red Vinyl)
  • Livid – Beneath This Shroud, The Earth Erodes (Limited Edition Pressing on Transparent Purple Vinyl)
  • Marduk – Fuck Me Jesus (1991) Single-Sided Reissue on Dark Green Vinyl w/ Silk screened B-Side (Limited to 500)
  • Marduk – Opus Nocturne (1994) 180Gram Gatefold Reissue
  • Marduk – Those Of The Unlight (1993) 180Gram Gatefold Reissue
  • Motley Crue – Girls, Girls, Girls ( 30th Anniversary Reissue on Blue/Black Marble Vinyl)
  • The Mynabirds – Be Here Now
  • Neurosis – The World As Law (1990) 180Gram Reissue on Clear Vinyl
  • Palm – Trading Basics
  • Pinact – The Part That No One Knows
  • Sabbath Assembly – Rites Of Passage
  • Secret Machines – Now Here Is Nowhere  180Gram 2-LP Pressing on Colored Vinyl w/ Gatefold Jacket (Limited to 1625 Worldwide!)
  • Joseph Shabason – Aytche
  • Nadine Shah – Holiday Destination
  • Brendon Small (Dethklok / Metalocalypse) – Galaktikon II: Become The Storm (2017) Limited Edition 2-LP Picture Disc and Standard 2-LP available
  • Juanita Stein – America
  • Superchunk – S/T (1990) (Includes Bonus 1990 NYC Live Show)
  • (Thee) Oh Sees – Orc
  • Together Pangea – Bulls And Roosters (Colored Vinyl)
  • Turnover – Good Nature
  • Queens Of The Stone Age – Villains (Deluxe 1.5 LP w/ Etched D-Side
  • Queens Of The Stone Age – Villains (1.5 LP w/ Etched 4th Side & Indie-Exclusive with Alternate Cover (Limited to 7000!)
  • Various – Dear Evan Hansen (Original Broadway Cast Recording)
  • The War On Drugs – A Deeper Understanding  (Standard and Indie Exclusive)
  • Widowspeak – Expect The Best
  • Kathryn Williams – Songs From The Novel: Greatest Hits (2017) 2-LP Compilation
  • Winterfylleth – The Divination Of Antiquity
  • Winterfylleth – The Ghost of Heritage
  • Winterfylleth – The Merrian Sphere
  • Winterfylleth – The Threnody Of Triumph
  • Stevie Wonder – The Original Musiquarium I (1982) Reissue

Our Multi-Tone Chicago Compilation has arrived! Grab the first ‘Jackson Pollack’ Splatter variant in the shop or on the website HERE!

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