Live Review: King Gizzard & the Lizard Wizard and Mild High Club at Lincoln Hall

Mild High Club and King Gizzard and the Lizard Wizard made a perfect pairing for a double header of sold out shows at Chicago’s Lincoln Hall. The two groups created an IRL experience of “Sketches of Brunswick East” for the first time. 


Mild High Club took the stage shortly after 8PM on Monday for a hometown show that featured collaborations and additional layers that brought their recorded music to life. Kicking off the collaborations, vocalist Quinn Tsan joined the group to sing alongside lead singer and frontman Alex Brettin. Shortly after Tsan left the stage to a swooping round of applause, the band added in a saxophonist for a few songs, followed by a brief guest appearance of Adam LP from new Chicago outfit wavy id. While both Sunday and Monday night’s set included popular songs like “Windowpane” and “Tessellation,” Brettin and his bandmates switched up the order of their set each nice to make their show even more dynamic. The combination of guest appearances, a refreshed setlist, and a trippy light show made for an all encompassing and captivating performance from Mild High Club.

Australian psych rockers King Gizzard and the Lizard Wizard hit the stage next with a blaze of guitar jams and pacing rhythms that never slowed down, thanks in large part to their two drummers. The seven piece group completely filled out the humble stage at the 500 capacity venue, and the crowd completely packed in to be as close as possible to stage. From the second the super group opened up with “Some Context” from their first album of 2017, Murder of the Universe, the audience and King Gizzard reciprocated one another’s energy levels. While frontman Stu MacKenzie would flip the top half of his body upside down, flail his guitar around, or flash his tongue to the crowd, the audience would thrash around in the mosh pit, which amplified in intensity as the 90 minute set progressed. The set spanned the course of several of King Gizzard’s albums, but the crowd got the rowdiest during “Rattlesnake” from Flying Microtonal Banana and “Gamma Knife” from Nonagon Infinity. At some points, a few audience members attempted to crowd surf (before being stopped by venue security). Nonetheless, the spirit of the crowd clung to the brim, never dipping as the ambitious Aussies kept up their signature pulsating pace. Just as King Gizzard’s set approached the finish line, they invited Alex and Mat of Mild High Club to join them on the stage to perform some of their collaborative album Sketches of Brunswick East, which made the stage even tighter than it already had been. The two groups performed the jazz-tinged “Countdown” and “Rolling Stoned” together before they all left the stage to a grateful and awestruck audience.


Photo Gallery of Mild High Club and King Gizzard and the Lizard Wizard

 

 


Check out all of our King Gizzard stock on the webstore here, or head into the store to pick up one (or a few) of their many albums!

 


This article was originally posted on ANCHR Magazine

A Chat With: Middle Kids

With its relatable narrative-style lyrics and addictive, blaring dance-around-your-room guitar riffs, it’s no wonder Middle Kids‘ song “Edge of Town” has racked up over 8 million Spotify plays. Fronted by vocalist and multi-instrumentalist Hannah Joy, the Sydney based trio has been steadily picking up steam with their equally as catchy and relatable self-titled EP. Joy sings her stories with a sense of conviction and a hint of a twang, blurring the edges of the genres tagged to their music. In the middle of recording their debut full length album, which will undoubtedly expand on these existing themes, Joy and her bandmates Tim Fitz and Harry Day are taking a break to tour America, playing festivals and shows across the country. Before they hit Chicago next week, we talked to Joy about Elton John recommending their song, incorporating a banjo into their music, jet lag, and so much more! Tune in and get to know Middle Kids now.

Middle Kids
Photo Credit: Maclay Heriot

 

Rachel Zyzda: You’re in the middle of recording your debut album, and you’ve posted a bit on social media… that it will be all new material from the EP and you’re even putting banjo on some tracks! What else can you tell us about the new songs, and where did you find yourself drawing inspiration from?

Hannah Joy: Ha, yes the banjo does get a feature! It’s small but mighty. I’m really excited about the new songs, they are mostly quite intense. Sometimes I think I should chill out a bit, and I am trying, but I’m not sure how. There are some ballady, reflective moments though, so hopefully that will allow it to breathe some. A lot of the inspiration comes from my own experiences and stories I hear from friends. Musically though, many lines came actually from being on the tour and recording little sound bites on my phone.

RZ: How has the recording process been so far? Any fun studio stories?

HJ: The process has been pretty intense, we’ve built this album in a really piecemeal kind of way. We recorded drums up at this country house so we could play away into the night. And so much was recorded in Tim’s and my home, so for the last few months I have been living snaked in microphone chords and an endless stream of scraps of paper all through the house.

RZ: You’ll be taking a break from recording to come tour the states this summer, including some major festivals like Lollapalooza and Osheaga Music Festival. Which cities are you most excited to visit and play in?

HJ: We are so very keen to hit the road. I’m excited to be in Chicago in the summer because it’s so beautiful, but we were there in the winter last time. Super keen for ACL because we consistently have extremely good times in Texas. AND Atlanta because we are playing at a venue called Purgatory and that intrigues me.

RZ: Do you prefer playing festivals or smaller gigs, and why?

HJ: The smaller gigs are very special because it allows for a collective experience with us and the audience. But it is friggin fun to run around like a madman at a festival. But not really sure as to preference, they are both so good.

RZ: Have you gotten a chance to check out the lineups for the festivals you’re playing? Are there any acts that are on the top of your list to try to watch during the festivals?

HJ: YES. Broken Social Scene and Liam Gallagher at Osheaga, Chance and The Lemon Twigs at Lolla, gosh so many, can’t breathe.

RZ: Since you’re coming all the way from Sydney for this summer tour, what are some of your tips for staying entertained on long haul flights and how do you deal with jetlag?

HJ: OK I have learned to equip myself with many activities for entertainment. Some are: Yahtzee, crochet, cards (we like to play 500, black maria and go fish), UNO. I also got a Kindle, which I was resisting for a long time, but now I have embraced it and it is rocking my world.

RZ: Elton John added your music to his Beats 1 playlist, which I’m sure has got to be a career highlight, but what have been some other highlights since you released your debut single, “Edge of Town”?

HJ: I think touring has been the biggest highlight, I mean getting to travel to different parts of the world and connect with all different kinds of people is seriously amazing. Playing on Conan was very cool too because we don’t have television like that in Australia. We were wide eyed the whole time.

RZ: You recently covered “Don’t Dream It’s Over” by Crowded House and “Fill In The Blank” by Car Seat Headrest. What was it about these songs that made you want to create your own version of them?

HJ: I liked these songs for different reasons – I love the melody of “Don’t Dream It’s Over”, it has sung to me for a very long time. “Fill in the Blank” is a special song in the way that it conveys existential angst, something I am very familiar with.

RZ: Any ideas on what your next cover song will be?

HJ: We cover songs all the time because why only play our songs when there are thousands better out there to play. But not sure what we will release next.

RZ: You’re one of our favorite new bands. Who are some of your favorite new acts?

HJ: Heh thank you. Some of my new favorites are a punk band from Ballarat called Good Boy, Andy Shauf is amazing…maybe not so new but still pretty fresh, The Lemon Twigs are tres cool.


Chicago, you have several chances to catch Middle Kids in August. In addition to a sold-out after show with Mac DeMarco at Concord Music Hall on August 5th, the trio will be performing in WKQX‘s Sound Lounge on August 1st. Finally, they’ll also be playing twice at Lollapalooza– once at the Pepsi Stage at 2:50 PM and again in the Toyota Music Den at 6PM on Thursday, August 3rd.

See all of Middle Kid’s upcoming tour dates hereand listen to their self-titled EP in full here.

This interview by Rachel Zyzda was originally posted on ANCHR Magazine. Read the post here