Live Recap: The Wombats Bring New Music, The Hits, and Infectious Energy to Their Lollapalooza Aftershow

This past Thursday night, The Wombats closed out the first day of Lollapalooza 2018 with a sold out aftershow at Lincoln Hall


As the clock struck midnight, hoards of music fans had piled into Lincoln Hall to celebrate the end of the first day of Lollapalooza with The Wombats. Although they had just performed out in Tinley Park with The Pixies last month and at Lollapalooza earlier that day, the last time The Wombats had performed as a headliner in Chicago was more that two years ago, when they played The Metro in support of their album Glitterbug. Despite the late start time of the aftershow, old and new fans of the band buzzed with anticipation during the moments leading up The Wombats’ entrance to the small stage, everyone anxious to hear some of their old favorites as well as the freshest material from this year’s Beautiful People Will Ruin Your Life.

The set began with the new; The group opened with “Cheetah Tongue,” the first track off their fourth studio album, but from there on, the setlist took twists and turns through The Wombats’ extensive catalog of material. Following “Give Me a Try” from Glitterbug, the band threw it back to 2011 and 2007 with “1996” and “Kill The Director.” While The Wombats did a great job at compiling a setlist of songs that highlighted each of their album eras, one of the best experiences of the show was looking around and seeing fans scream the lyrics along with lead singer Matthew Murphy and dance throughout the night with unwavering gusto, during every single song. Murphy and bandmates Dan Haggis and Tord Øverland have continuously mastered creating music that blends clever and sharp narratives with danceable melodies and grooving bass lines, allowing for fans to connect with the lyrics while dancing it out.

Live, the trio translates their records to life with a keen stage presence and unmatched chemistry, which stems from their years and years of playing music together. Despite their grueling tour and travel schedule as of late and the fact that they had played Lollapalooza earlier that afternoon, The Wombats never skimped on the energy during their show at Lincoln Hall; Øverland still delivered his signature kicks and jumps as he played bass and Murphy often paraded around the stage with his guitar. The entire room was already beaming from ear to ear as the set came to a close, but the band still had one more surprise up their sleeves. During iconic tune “Let’s Dance To Joy Division,” three people dressed up head-to-toe in wombat suits rushed the crowd and stage to close out the night, and everyone (even the wombats) clapped along to the athemic bridge of the song.

Following the humorous guest appearance, The Wombats (the band) returned for an encore, bringing along the costumed wombats again. The three song encore consisted of one of their recent singles, “Turn,” “Tokyo-Vampires & Wolves” from their earlier days, and “Greek Tragedy” from their third album, once again equally representing all of their eras. No matter what year your favorite song from The Wombats comes from though, there’s no denying their music and their live show has a timeless quality to it; it will always be a challenge to find anyone having a bad time at a Wombats show.

Check out photos from the show below, and see where you can catch The Wombats next here.

 

This article was originally posted on ANCHR Magazine

New Vinyl Releases 7/27/18

 

  • Above & Beyond – Common Ground
  • The Album Leaf – The Endless (Original Motion Picture) (‘Blue and Black Starburst’ Colored Vinyl)
  • Astronauts, etc. – Living In Symbol
  • Atmosphere – Sad Clown Bad Year #9-#12 Collection (Half Black & Half White vinyl with Activity Book and Crayons)
  • Baby Dodds Trio – Jazz A’La Creole (Transparent Blue vinyl)
  • Bellini – Before The Day Has Gone (Transparent Red vinyl)
  • Bona Dish – The Zaragoza Tapes 1981-1982 (Pink vinyl, Limited to 500!)
  • Breathe Panel – Breathe Panel
  • Charge It To The Game – House with a Pool
  • Drivin’ N’ Cryin’ – Too Late to Turn Back Now! (1997)
  • The Flaming Lips – Hear It Is (1986)
  • The Flaming Lips – Oh My Gawd!!! …The Flaming Lips (1987)
  • The Flaming Lips – Telepathic Surgery (1989)
  • The Germs – GI (1979) (Limited ‘Record Store Crawl’ Edition on Blue Vinyl)
  • Woody Guthrie – Struggle (Reissue)
  • Jefferson Airplane – Surrealistic Pillow (1967) (180gram Reissue on Pink Vinyl)
  • Kali Uchis – Isolation (180gram EU Pressing)
  • Lightnin’ Hopkins – Lightnin’ Hopkins (Reissue)
  • The Longshot (Billie Joe Armstrong) – Love Is For Losers
  • Sergio Mendes & Brasil ’66 – Greatest Hits (Reissue Compilation)
  • Migos – Culture II (3 Lp with Tri-fold Jacket)
  • The Moody Blues – Threshold of A Dream (1969) (180gram Reissue)
  • The Moody Blues – A Question of Balance (1970) (180gram Reissue)
  • The Moody Blues – Every Good Boy Deserves Favour (1971) (180gram Reissue)
  • The Moody Blues – Seventh Sojourn (1972) (180gram Reissue)
  • The Moody Blues – Octave (1978) (180gram Reissue)
  • The Moody Blues – Long Distance Voyager (1981) (180gram Reissue)
  • Otep – KULT 45 (Splatter Vinyl)
  • The Promise Ring – Very Emergency (1999) (Limited Edition Reissue on Clear Vinyl)
  • Rise Against – The Ghost Note Symphonies, Vol. 1
  • The Scientists – Weird Love (1987)
  • Howard Shore – The Lord Of The Rings: The Two Towers The Complete Recordings (Limited Edition 5 Lp Box Set)
  • Thin Lips – Chosen Family
  • Thou – Rhea Sylvia
  • U2 – The Best of 1980-1990 (180gram Reissue Compilation)
  • U2 – Achtung Baby (1991) (180gram Reissue)
  • U2 – Zooropa (1993) (180gram Reissue)
  • Underworld & Iggy Pop – Teatime Dub Encounters (Limited Edition on Clear Vinyl)
  • Kanye West – Ye
  • Stevie Wonder – Signed Sealed & Delivered
  • Yoke Lore – Absolutes (10″ EP)

New Vinyl Releases 7/13/18

  • Eric B. & Rakim – Paid In Full (1987)
  • Eric B. & Rakim – Follow The Leader (1988)
  • Eric B. & Rakim – Let The Rhythm Hit ‘Em (1990)
  • Eric B. & Rakim – Don’t Sweat The Technique (1992)
  • Rayland Baxter – Wide Awake (Limited Edition on Orange Vinyl)
  • Birds In A Row – We Already Lost The World (Indie Exclusive on Colored Vinyl)
  • Ben Folds Five – The Conplete Sessions at West 54th (1997) (Translucent Blue Vinyl, Limited to 1000)
  • Chelsea Grin – Eternal Nightmare (Limited First Pressing on Colored Vinyl)
  • Mikaela Davis – Delivery
  • Beak> – Beak> (Limited Reissue with Gatefold Jacket)
  • Beak> – >> (Limited Reissue with Gatefold)
  • Between The Buried and Me – Automata II (Limited Edition on Transparent Purple Vinyl)
  • Chastity – Death Lust
  • Deafheaven – Ordinary Corrupt Human Love (Indie Exclusive on Colored Vinyl)
  • Deafheaven – Ordinary Corrupt Human Love
  • Bob Dylan & The Grateful Dead – Dylan & The Dead (Non-RSD Reissue)
  • Jim Gaffigan – Noble Ape (Limited Edition Picture Disc)
  • The Gaslight Anthem – The ’59 Sound Sessions (Compilation of Demos & B-Sides)
  • The Grateful Dead – Anthem Of The Sun (50th Anniversary Picture Disc)
  • Hopesfall – Arbiter (Limited Edition on ‘Pink with Black Center’ Vinyl)
  • Indigo Girls – Live With The University of Colorado Symphony Orchestra (Translucent Blue Vinyl with Tri-Fold Jacket, Limited to 1500)
  • Jason Isbell – Sirens Of The Ditch (Deluxe Edition 180gram with Gatefold and Download)
  • Ursula K. Le Guin & Todd Barton – Music And Poetry Of The Kesh
  • Lil Yachty – Lil Boat 2
  • Willie Nelson – Things To Remember: The Pamper Demos (Red Vinyl, Limited to 1000)
  • The Ophelias – Almost (Limited Edition on ‘Glass Clear’ Vinyl)
  • The Orb – No Sounds Are Out Of Bounds (Indie Exclusive on Blue Vinyl)
  • Pedro The Lion – The Only Reason I Feel Secure (Limited Edition Reissue on Clear Vinyl)
  • The Rolling Stones – From The Vault: No Security San Jose ’99 (Limited Edition 3 Lp on Colored Vinyl)
  • Slightly Stoopid – Everyday Life, Everyday People
  • Marco Beltrami – Hellboy (Original 2004 Motion Picture) (First Pressing on Red Vinyl)
  •  Alan Silvestri – Ready Player One (Original Motion Picture)
  • Carl Stone – Electronic Music From The Eighties and Nineties (Compilation with Gatefold Jacket, Liner Notes and Download)
  • Various – Chicago (Music From The 2002 Motion Picture) (Black ‘N Gold Vinyl, Limited to 1500)
  • Various – Outlaws & Armadillos: Country’s Roaring ’70s Vol. 1 (Country Music Hall of Fame Compilation)
  • Various – Road House (Original Motion Picture) (Repressing, Limited to 500)
  • Tom Waits – Foreign Affairs (1977)

A Chat With: Matt Maeson

Considering he grew up playing music in prisons and at biker rallies with his parents, you could say singer songwriter Matt Maeson has quite the interesting backstory…But ultimately, it’s his dynamic vocals, piercing lyrics, and knack for storytelling that hooks listeners and fosters the growing buzz surrounding his music. With millions of streams racking up on Spotify and appearances booked at major festivals around the country, the momentum surrounding Maeson just keeps building, and he hasn’t even released a debut full length yet.

The music Maeson has released so far remains sonically multifaceted, with each song on his two EPs having a distinct sound of their own. Most of his songs tend to cover serious subject matters, but to juxtapose the heaviness that comes with some of his music, Maeson keeps the mood lighthearted on his social media, often cracking jokes on his Twitter. (Go follow him if you’re not already, trust me.) That same personality transfers over to his live show, so if you’re heading to Lolla this year, make sure you catch Matt Maeson on Friday, 8/3 at noon…but first get to know him a bit better. I recently caught up with him after his set at Bonnaroo last month, talking his favorite festival moments, his love of Chicago food, Johnny Cash selfies and more.

 Photo Credit: Matthew Reamer
Photo Credit: Matthew Reamer

So I know you grew up with a musical family, but when do you remember wanting to start making music on your own?

I was, like you said, raised in a very musical family, so from the time I was able to consciously receive music, I loved it. I started on drums when I was really young. I was like 3 or 4 and my uncle passed away and he left me a drum set. I just drummed away until I was 13 or 14 and then I picked up a guitar around 15, and that’s when I started writing songs. My dad would teach me chords. So 15, around that age was when I started writing, and I started performing live when I was 17. The rest is history.

When you started performing live, is there anyone you looked up to, or whose stage presence you admired?

That’s tough cause there’s different aspects. Vocals, Britney Howard from Alabama Shakes is insanely talented. Jeff Buckley is one of my all time favorite artists. Then Manchester Orchestra is a huge one for me.

Oh were you around yesterday when they played?

No I wasn’t I missed it! I missed them at Bottle Rock when they played the day after.

Oh no! One day you’ll get to see them! Anyone else who inspires you?

I love Johnny Cash. I love the way he performs… and I played in a lot of prisons growing up.

I caught your set earlier and before you played “Cringe” you said “This is the one everyone has been waiting for.” How does that feel since releasing that song to have such a viral response to it? What has been a highlight?

It’s sick! “Cringe” is my most streamed song so I know every show that’s what everyone wants to hear. I’d say that the really dope thing was I played this show at The Hawthorne in Portland, Oregon. That was the first show that I ever heard people singing the lyrics with me, and that was to “Cringe.”

Then you just mentioned you played Bottle Rock, you’re playing ‘Roo now, then playing Forecastle and Lolla too. What is your favorite festival moment and your worst festival experience that you’ve ever had?

I’d say my favorite festival moment would probably be the time I played this festival in Houston called In Bloom. It’s a smaller one, but it was my first festival. My girlfriend was there, I just played solo acoustic. And people were singing along. It was just the first big crowd at a festival I saw and played in front of. The least favorite was I went to this festival called Beach Goth in Orange County. It’s cool and the line up was amazing…it had three of my favorite artists; King Krule, James Blake, and Bon Iver were all headlining. The stages were so close together and it was so packed that if you were trying to see King Krule you were hearing like TLC play. And then if you were trying to see Bon Iver you heard this, and there was just so many people that I was like I don’t want to see any of my favorite artists like this. I’d rather wait to catch them in smaller shows.

What made you come up with the idea to release stripped versions of songs like “The Hearse” and “Cringe”?

[It was] mainly cause this is my first tour doing a full band thing. So everything before that was just acoustic. So that’s what people who have seen me live have grown to love. That’s when I think the songwriting really shines, when there’s not all this big production behind it, but it’s just this simple thing where people can really focus on the melody and lyrics. We put a couple out and people loved it.

My mom loves the stripped version of “Cringe!”

Yeah that song is streaming extremely well! It’s streaming better than the regular one.

What about new music? Are you working on that on the road at all or just focusing on touring these songs?

I mean, both. I don’t really try and force myself to write too often because I think that’s when the writing feels like it’s a job or something. It gets a little less sincere when you’re trying to force something out. Typically what happens is I’ll go on tour, I’ll get so drained and so exhausted, and then I’ll get home and write an amazing song. We’re definitely writing for the album right now.

So you’re coming to play Lolla, and I’m based in Chicago–

Yeah I love Chicago!

So what are you looking forward to about Lolla and coming to Chicago in general? Are you sticking around at all?

I will be because I’m doing a Lolla set and then I’m doing an after show, and then I’m doing another show…I think it’s just acoustic. So I’m doing the acoustic show and then I’m opening up for Gang of Youths, they’re awesome and I’ve done a couple shows with them! Then I do the actual Lolla set, so I think I’ll be there for three or four days.

Did you check out the rest of the line up at all?

The line up is insane. So good. I’m pumped. There’s definitely people I want to see, but I’ll know in about a month and a half from now.

Anything else you’re looking forward to doing in the city while you’re there?

I love Chicago. I would 100 percent live there if it didn’t get so cold. It’s brutal. I’ve been there in the winter and it’s so brutal. But Nando’s, I love Nando’s and it’s one of the only states that has them. Au Cheval, the burger spot. It’s insane. I love food. I still haven’t been yet, but my buddy works at the restaurant called Alinea. It’s insanely expensive. I just love Chicago, I love the people there.

Also your Twitter can be really hilarious, and I saw the other day you posted about people DM-ing you selfies. So if anyone in the world were to DM you a selfie, who would you want to slide into those DMs? We can even do dead or alive.

I would say Johnny Cash. Cause not only would that be amazing to receive a selfie, it would also be hilarious just to see a selfie of Johnny Cash.

Yeah, those don’t exist. Then last thing, do you have any unknown facts or something that you’ve always wanted to talk about that no one has brought up yet in an interview?

That’s a hard one! I skate…nobody ever asks me about that! If you look at my Instagram or something everyone I follow is pro skaters. I never get starstruck and the only people I get starstruck by are pro skaters. Which is funny cause they’re usually the chillest dudes.

When did you get into skating?

When I was super young, around 7. I’m not like great. I was better when I was 16, but I still love it. Love the culture.

Anything else you’re looking forward to or any last closing comments?

Looking forward to getting this album done. We don’t know when it’s gonna come out. It’ll either be late this year or early next year. Then we’re gonna do a fall tour that I’m pumped about. We’re still figuring it out if it will be a headlining or support tour.


 

Chicago, if you’re not going to Lolla this year, you can still catch Maeson at his aftershow–snag those tickets here.

This article was originally posted on ANCHR Magazine

New Vinyl Releases 7/6/18

  • A Perfect Circle – Eat The Elephant (Limited Edition 2 Lp 180gram  Blue & Red Vinyl)
  • Anemone – Baby Only You & I (Limited Opaque White Vinyl)
  • The Bamboos – Night Time People
  • The Beatles – Yellow Submarine (7″ Limited Edition Picture Disc)
  • Chuck Berry – After School Session (180gram Audiophile Reissue on Translucent Blue Vinyl)
  • Bodega – Endless Scroll (Indie Exclusive on Teal Vinyl)
  • Dave Catching (Eagles Of Death Metal) – Shared Hallucinations Pt. 1: Sonic Salutations From The Venerable Vaults of Rancho de la Luna 1972-1984 (Deluxe Reissue on Clear with Green and Orange Splatter Vinyl, Limited to 500)
  • Claptone – Fantast
  • Brent Cowles – How To Be Okay Alone
  • Erasure – World By Live (3 Lp)
  • Vince Guaraldi – Oh Good Grief! (50th Anniversary Reissue on Translucent Red Vinyl)
  • Immortal – Northern Chaos Gods (White Vinyl, Limited to 2500)
  • Johnny Marr – Call The Comet (‘Indie Exclusive’ on Purple Vinyl)
  • MNDSGN – Snax
  • Mobb Deep – Juvenile Hell (1993) (25th Anniversary
  • Elvis Presley – NBC TV Special (1968) (180gram Audiophile Reissue on Red Vinyl)
  • Tiger Army – Dark Paradise EP (7″ ‘Blue Hawaiian’ Colored Vinyl, Limited to 1500)
  • RP Boo – I’ll Tell You What!
  • Sleepy Zuhoski – Better Haze
  • Sofi Tukker – Treehouse
  • Surf Curse – Sad Boys EP (Limited Edition on Blue Vinyl)
  • Surf Curse – Buds (Limited Edition on Blue Vinyl)

Cassettes

  • OCS (Thee Oh Sees) – Memory Of A Cut Off Head
  • Thee Oh Sees – Orc
  • Various Artists – Burger World Germany (Burger Records Comp)