Catching Up With: White Mystery

If you’re at all familiar with the Chicago music scene, you’ve undoubtedly seen White Mystery out and about over the years. The sibling duo of Alex and Francis White still manage to pack a serious punch with all of their live performances, despite only being a two-piece band. In addition to developing a full live show between the two of them, Alex and Francis have remained completely hands on with all aspects of the band, from management to booking tours to sending press releases…they do it all. In between all of that hustle, the pair still find time to put out an album every year on April 20th. Their latest, Fuck Your Mouth Shut, marks their eighth studio album, and their ninth is on the way in 2018. In the midst of working on new music, playing shows, and gearing up for tour, the duo developed their own TV show called (you guessed it)… White Mystery TV! The show has featured artists from all corners of the local Chicago scene and just wrapped its first season (but more on that later). Before White Mystery start their tour along the east coast and midwest Friday, September 1st, we chatted with Miss Alex White after their set at The Slippery Slope Anniversary party last weekend. Here are six things you need to know to get caught up with White Mystery!

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Credit:  Diane Alexander White

THEIR INFLUENCES PROVIDED “PERMISSION BY EXAMPLE”

While strolling down memory lane trying to pinpoint what first inspired her to pick up an instrument, Alex White describes two distinct childhood memories. “When I was pretty young, my mom would take me to the dollar store, called Amazing Savings. And they had discount tape cassettes of oldies music. Like all the great one hit wonders from the 60’s, and I really really loved those songs,” Alex recalls. She continues describing her journey to rock ‘n’roll, saying, “Afar as the moment that inspired me to start playing rock ‘n’ roll….And I’ve said this a couple times too because it was just that distinct of a moment that I remember… I was in fourth grade, and my parents were repurchasing their old record collections on CDs ’cause CDs were like a new invention, you know? I heard The Who for the first time, and the album was Who’s Next by The Who. It’s the classic song “Baba O’Riley,” which is like [singing] ‘Teenage Wasteland…’ And that song just really connected with me. Where I was like I need to play guitar, this is so cool!”

The inspiration continued through Alex’s teen years, where she found influence in other bands. “If you flash forward a little bit…Kim Gordon from Sonic Youth. I heard Sonic Youth and I was like I can do this! This is so great, this is so powerful. It’s a female singer, she’s playing guitar, it’s experimental…I really believe in permission by example. You see something and you’re like oh yeah, I could do that! Maybe better, or differently. And Sonic Youth really did that for me when I was about 14 or 15,” Alex says. She also reveals that some of her artistic and musical talent stems from somewhere down her family tree. “My mom played piano as a very young person, but her job is being a photographer. My grandfather, who passed away when I was like 5, really young, he played mandolin. So he never showed me how to play, and I don’t even have memories of him playing…But, I’m convinced that I’m genetically predisposed to having really fast fingers and that kind of thing. So while I didn’t know him very well and he never taught me, I feel that the heritage lended to it,” she says.

THEY’RE ALWAYS UP FOR THE DIY HUSTLE

In addition to rocking the stage all by themselves, Alex and Francis White know how to work the DIY system as a band…and man do they work hard! Talking about the benefits and challenges that they face being an independent band, taking on multiple roles, Alex says, “Well like anything there’s pros and cons to being DIY. The biggest pro is that when you take on multiple roles, like when you become the management, the licensing agent, the booking agent, and the art director… and the the creative force, you can make a career out of it.” She continues to give major props to her brother Francis, saying it’s very much a partnership. For any struggling musicians or music industry professionals, just remember Alex’s “permission by example” principle and look at how she has earned a living with White Mystery.

“This has been my job full time for 7 years. It’s a very bohemian lifestyle. I work really fucking hard and all day long, but in the comfort of my own home or on tour with a laptop,” Alex continues, vouching for the DIY lifestyle.  However, she does also recognize the potential downfalls. “The disadvantage is that it can be very challenging to penetrate these very established systems. Something like Lollpalooza…While we play big ass shows in Chicago, we played in Japan, we’ve been in Sundance Film Festival movies. We’ve played with Patti Smith and The Stooges many times. We played Riot Fest…for some reason it’s been damn near impossible to get into Lolla, while we’ve put 8 albums out,” Alex continues. She still manages to see the positive side of the situation and brace herself for the challenges, adding, “So there’s certain things, but I try to convince myself that everything happens for a reason, and I just kind of stick to my vision, and good things always happen when you do that. You’re gonna have challenges. Be prepared for the challenges.”

VIDEO GAMES INSPIRED WHITE MYSTERY TV

Well kind of…For the past month, White Mystery have invited different artists and musicians around Chicago over to talk, play music, and play video games. All while broadcasting live; hence the name White Mystery TV. Talking about the origin of this clever concept, Alex says, ” I have to give my brother Francis credit for it. He plays a lot of video games, and there’s this network called Twitch. It seems like a lot of people in the rock scene aren’t very familiar with it…It’s the second largest streaming service on planet earth. World wide.” Alex continues on to say that there’s been times on tour where she and Francis wished they could share their view with friends and family back home. “Before Facebook Live and Instagram Live…it was more like us driving through the Swiss Alps thinking this is so crazy and so beautiful, I wish we could show people back home what this looks like,” she says.

The inspiration to launch WTV also stemmed from their past work on a White Mystery film, called “That Was Awesome.” Alex says their past work on that film coupled with their desire to share their experiences beyond their live concerts helped push the project forward. “We’re realizing wow, our worldwide audience is able to watch us. So while there might be 100 people at the show, there might be 1000 people watching,” she continued. Talking more about the show itself, Alex says, “It took a long time to develop it because of the technology required to make the infrastructure. It’s not like ‘Hey I have an iPhone..” let me hold it up to something. It’s a little more sophisticated. So when people are watching they’re getting a little more of the Wayne’s World basement thing, but what we’ve done is bring all of our favorite musicians on. So people are like wow, that’s so great you have so many cool local musicians. Like The Orwells…Mario [Cuomo] was one episode one. Twin Peaks are freakin’ huge!” The show has also had rappers like ShowYouSuck, Joseph Chilliams, Mykele Deville, as well as newer buzzy bands like Bunny and Post Animal. “We’ve been trying to represent the city of Chicago so that we can share what’s going on here with our audience in like Germany and Japan. It’s been a really cool thing and they’re all archived on YouTube so you can watch them again. They’re like each 3 hours long,” Alex concluded. Make sure you tune into Season 2 when it starts!

THEY’VE WITNESSED THE PEAKS AND VALLEYS OF THE CHICAGO SCENE

Speaking of representing the local Chicago scene on White Mystery TV, Alex and I also discussed some of her favorite parts of the scene at the moment, and how it has gone through cycles. “Chicago is a very special place. I’m born and raised here in the city. Having gone to New York and LA and San Francisco…Chicago is a very supportive, cooperative scene. There’s a lot of idea exchange and support,” Alex says. 

“I guess what I love most is the mutual support people give each other, and that goes across the arts. That goes to comedians. DJs. Actors and Actresses. Everybody is like ‘I’d love to help you with that.’ It’s not this cut throat thing. There’s friendly competition where we push each other higher. But the community is full of support,” she continued. 

This principle of helping each other out and lifting each other up can be seen just on White Mystery TV alone, when genres are mixed and collaborations extend to poets and performing artists, not just musicians. It’s also demonstrated in Lollapalooza performances here, like when Joey Purp showed up for a song with Whitney. “It’s genre bending,” Alex says before shouting out her favorite venues in the city. “I love the Empty Bottle. The DIY scene is very, very strong. There’s a new one every time. I’m kind of older than a lot of people in the scene. So how you were saying ‘Wow, Chicago’s really popping right now…” I’ve seen several cycles take place. There was a point when I was younger when a place like The Empty Bottle would not book rock shows. They would only book very kind of indie stuff. I’ve seen it with highs and lows. And it’s always good, and there’s always stuff happening, but there’s definitely times where it’s thriving and that’s cool to watch,” she says.

“I try to convince myself that everything happens for a reason, and I just kind of stick to my vision, and good things always happen when you do that. You’re gonna have challenges. Be prepared for the challenges.”

— Alex White on Being a DIY Musician

THEY STAY ENTERTAINED ON THE ROAD BY READING WIKIPEDIA PAGES

Since they’re gearing up for tour (starting tonight), Alex and Francis discussed how they stay entertained on the road and what they’re looking forward to on this particular run. Although Francis had been loading out for most of the interview with Alex, he jumped in for this question. 

“Reading Wikipedias is a very interesting way to observe a story of a person or place or event,” Francis chimed in about their road trip habits. Off the back of that, Alex says, “I read books to him for hours at a time. I recently read the entire Mount Everest Into Thin Air book to him. I read the whole thing. We read Wikipedias…He drives, and I’ll read. Hours will go by. We’ll be like oh my gosh, you know that was 3 hours. Sometimes you read these biographies of like James Brown and you’re like crying at the end. You’ve started with the moment they were born and gone through their whole life, to the moment they died. It’s very emotional to go on that trek.”

Although they educate themselves on the road by reading, the biggest lesson from touring and playing music is unrelated to Wikipedia and books. “I never really had to learn this lesson, it was just something we knew, but don’t leave your guitar or money in the car. Don’t leave your passports. Or the stuff you need. Ever,” Francis says. Alex and Francis both emphasized the importance of knowing when to stick together and not splitting up while on the road. 

As far as where they’re most excited to play on this run? “Meltasia,” both of them said in unison when I asked. “I’m looking forward to Meltasia, but I’m mostly looking forward to the drive into Meltasia cause for my sister and I, it’s always a really special drive where we blast Led Zeppelin…we’re going deep into the woods, further and further and further away. Usually all we have is a case of beer and that’s it. No tents, no water, and we just know we’re gonna hang as long as we can, and shotgun as many beers as we can. The build up to it is one of my favorite feelings throughout the whole year,” Francis elaborated. “It’s the anticipation of getting there. It’s the journey. A lot of people have told that to me in my life, and now I really, really believe that,” Alex chimed in. 

DESPITE HER VINTAGE STYLE, ALEX ADMITS SHE’S BAD AT THRIFTING

Again, if you’ve seen White Mystery around, chances are you’ve noticed Miss Alex White’s incredible retro inspired style, and no one pulls it off as well as she does! Fortunately for Alex, she’s able to acquire most of her clothes, she says, admitting that she’s not actually that great at thrifting. “A lot of my stuff just comes from my friends. I get a lot of custom made clothing now. When I went to The Grammys I had this amazing custom made jumpsuit. I was the Vice President of the Recording Academy for the Midwest. So I’d go to the Grammys and get to walk the red carpet with all these cool clothes,” Alex reveals.

Alex also gave her mom props for being a great thrifter, even though that didn’t pass down to Alex.  “What I love shopping for is shoes. These shoes, they’re just really practical and comfy, just wood platforms…I’ve had so many versions of this kind of shoe. We were in Beverly Hills and we played on late night television, The Carson Daly Show. After we were walking around Beverly Hills. I was like oh, a shoe store, cool! I go in there and find these, they’re made in Portugal, I was like oh, I like ‘em…once in awhile treat yourself. So I bought these shoes, I left the store, and I look at the storefront and see this is like an old lady shoe store. I just bought shoes from like an orthopedic shoe store,” she recalled. 

Alex’s once last piece of style advice? “I don’t buy vintage shoes…vintage clothes, but never vintage shoes. I was crossing the street once in a vintage pair of shoes, and my heel broke, and I wiped out on the street. I was like never again!”



Check out all of White Mystery’s tour dates below and keep up with them on social media.

White Mystery: FacebookTwitterInstagram

09/01/17   Experimental Procedures Chelsea, MI Details
09/02/17   Happy Dog Euclid Tavern Cleveland, OH Details
09/03/17   Arsenal Lanes Pittsburgh, PA Details
09/04/17   The Pharmacy Philadelphia, PA Details
09/07/17   St. Vitus Brooklyn, NY Details
09/10/17   Meltasia Fest East Durham, NY Details
09/11/17   Bug Jar Rochester, NY Details
09/13/17   State Street Pub Indianapolis, IN Details
09/15/17   Trumpet Blossom Iowa City, IA Details 
09/16/17   Farnam Fest Omaha, NE Details
09/22/17   Ingenuity Fest Cleveland, OH Details


Also- Listen to White Mystery’s 8th album Fuck Your Mouth Shut below or grab your own copy from the Shuga webstore here. (You can also scoop one up at the shop!)

https://open.spotify.com/embed/album/3z2grSnDNnDwZV8GvI5q9Y

This article was originally posted on ANCHR Magazine.

Remo Drive From The Rearview Mirror

Words and Photos by Alicia Maciel


Hailing from Minnesota as an independent alternative rock band, Remo Drive  is impressing emo-rival enthusiasts with their self-debut “Greatest Hits” and they’re not losing momentum any time soon.

RD-8Within a week’s worth of time, Remo Drive headlined Subterranean, their Audiotree session premiered, and they released a camp-themed music video for “I’m My Own Doctor.” They harnessed all the energy building and continue to move forward rapidly.

The original line-up consists of brothers Erik Paulson (vocals/guitar) and Stephen Paulson (bass) along with close friend Sam Mathys (drums). They’ve added Zack Cummings to play guitar on tour and were joined by Michael Kwan for keys/aux percussion at a Lollapalooza after show and Audiotree session.

While there is some controversy amongst fans about piano playing in live sessions, the addition emulates a full, richer sound and shows that Remo Drive is more than just an emo revival band by crossing the lines of emo and indie.   

RD-5“Greatest Hits”  deters from their raw, emo-punk inspired “Demos 2014” and pushes them toward the broad category of alternative rock. In doing so, Remo Drive’s style is appealing to practically any listener as subtle moments of post-punk and emotional music bring high, aggressive energy to the tracks – grasping attention easily.  

With song themes ranging from facing reality, romanticism, mental and physical health (as blatantly seen in “I’m My Own Doctor”), Remo Drive’s simple, straightforward composition creates a sense of empathy with the listener. Past the music, the band interacts genuinely with fans as much as possible whether it’s face to face or over Twitter through likes, retweets, and threads. Such constant interaction is hardly seen nowadays which is why Remo Drive is standing out as a remarkable, personable band.

Nostalgia’s found when listening to the band’s techniques and mixing throughout the album. Remo Drive’s “Greatest Hits” album cover and logo radiating a love for the 80’s and the minimalistic, catchy composition stylings ranging from the riffs and lyrics coming from members Erik and Sam – they’re emphasizing the importance of branding and style for up and coming independent bands.

AM-080217-3Self-composing and recording “Greatest Hits” while striving to hire local professionals for any work necessary, Remo Drive is paying homage to their DIY roots while venturing into performance at professional venues across the nation. It really makes one wonder if they’ll do a DIY tour soon enough (yes, they totally should!).

From hardly being known at the beginning of this year to their vinyl pre orders selling out and gaining a cult following, who knows what to have other than high expectations for Remo Drive.

Catch Remo Drive on a co-headlining tour with McCafferty and supporting Hippo Campus in the fall! Get tickets here.


Personal quote: “Being an overall rock music lover, Remo Drive inspired me to photograph them in May when I had no idea who they were. These guys are really something else.”

The following is a list of bands their music sounds inspired by //

Remo Drive’s Influencers Recipe:

Title Fight 

Joyce Manor 

Weezer 

Vampire Weekend

The Police 

Two Door Cinema Club

Turnover 


Alicia Maciel is a junior at DePaul University studying marketing, music business, public relations, and advertising. Immersing in photography, promotion, interviews, interning at Metro and Notion Presents, managing The Chicago Vibe, curating live music, and plenty more – she hopes to bring innovation to the music scene. “A Chicagoan gal making music personnel personal.”

 

A Chat With: Toothless

“Even toothless, she can still bite off a boy’s head.” This is the quote that inspired Ed Nash of Bombay Bicycle Club’s newest project, Toothless. Following the project’s inception, 2017 has already been a whirlwind for Nash. After releasing the collaboration-laced debut album from Toothless, The Pace of The Passing, back in January, Nash has already followed up with a six song EP, Palm’s. The project has also been constantly expanding the live show, playing festivals like Secret Garden Party and the upcoming Reading and Leeds Festivals. Before Toothless hits the road to tour the UK and Europe, find out more about the inspiration and influences behind Toothless…including more on the quote that started it all. Nash also talks new music and his collaborations with the likes of Marika Hackman, The Staves, and Liz Lawrence. Get to know Toothless now!

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Photo Courtesy of Toothless

Rachel Zyzda: When did you first decide to branch out to your own side project and start working on Toothless?

Ed Nash: I have always written and recorded my own music, and had intended to release it long before I got ’round to it. My commitment to Bombay Bicycle Club kept on growing over the years as the band got bigger, and as a result I didn’t have the time to put into my own project. It was only at the end of 2014 when we decided to take a break after touring the last Bombay record that I finally had enough time to do it! I had the name and a lot of the ideas beforehand just not the time.

RZ: The story behind your moniker is quite interesting, with the inspiration stemming from a Raymond Pettibon drawing with the caption “Even toothless, she can still bite off a boy’s head.” When you were writing for the debut Toothless album, The Pace of the Passing, did you find yourself drawing inspiration from different forms of art, and are there any particular influences that stand out?

EN: Absolutely! All of the album and single artwork was inspired by a Charles and Ray Eames show that I saw at the Barbican in London. There was a video called “The Power of Ten” that was my main focus. A lot of the songs on the record draw from Greek myths and The Odyssey. I like using preexisting stories in my own songs to help get my own points across.

RZ: The album also featured a few different collaborations, like “Palm’s Backside” with Marika Hackman and “The Sirens” with The Staves. How did these working relationships with these artists come around and what was your favorite part about the collaborative songs?

EN: Most of the features on the album are people that I was lucky enough to have met through touring and playing shows over the past ten years, Liz Lawrence sang with my band throughout 2014, and we played multiple shows and shared studio time with Wild Beasts. That’s not to say that I used these artists only because I knew them personally, they couldn’t be gratuitous or for the sake of getting cool people on the record. For example, Tom from Wild Beasts has a beautiful baritone voice, the opposite to the way I sing, and the part he recorded really needed that style of singing.

RZ: Who else would you love to work with in the future and why?

EN: I really want to work with my favorite producer Dave Fridmann. The timing’s never been right so far as he’s a busy man. I’m not going to stop trying.

AM: You just released the EP “Palm’s” earlier this Summer, following the debut LP released earlier this year, which is quite a quick turnaround! Have you already started writing for the next album or EP?
EN: People keep saying it’s a quick turnaround but to me it feels quite slow… As this is the only thing I do I think I get very impatient. I’ve started writing and recording the next full Toothless album and hope to get that out at some point next year. I’ve also got an idea for another EP, I haven’t told anyone about that yet though!

RZ: Taking the songs to the live sense then, what is the usual band setup for your shows and what are some of your favorite songs to play out live?
EN: It’s taken the best part of a year to get the live show to a point where I’m fully happy with it. As I played almost everything on the record, it was very hard to adapt the songs to work with a live band. The live show now consists of a 5 piece band with two guitars, bass, keys, drums and a hell of a lot of singing. I absolutely love playing “Sisyphus” live, not only is it the most upbeat song in the set but we have added a Kraut Rock style outro that gets pretty wild!
RZ: You’ve got some shows in the UK and Europe this fall, but any plans to tour stateside soon?

EN: We don’t have any plans to head to the US at the moment unfortunately, though I am incredibly keen to get back soon. We played two shows in New York and Los Angeles at the beginning of the summer which were some of the best shows we have done.

RZ: On the same subject of tours, you’re playing a Sofar Sounds show on September 20th to support Amnesty International and Give a Home, which is such a great cause to be involved with! Are there any other charities or causes that you’re passionate about?

EN: Yeah, I’m really looking forward to the Amnesty show! Over the years I have done quite a lot of stuff for Amnesty International and I love the Sofar Sounds shows too. It’s going to be a great event. With Bombay we did quite a lot of shows for the Teenage Cancer Trust. They are a truly fantastic organization. I will always continue to support them.

RZ: What new music are you listening to lately that you’d recommend to your listeners?

EN: This week I have been listening to the new Grizzly Bear record. I love it, though, I am probably biased… I fucking love Grizzly Bear.
RZ: Anything else coming up in the next year that you’re looking forward to?

EN: I’ve decided I want to paint my next record cover which I’m super excited about. I painted the cover to the Bombay record Flaws but haven’t done anything proper since then. I have been painting small portraits over the past few months to get my technique up to scratch for the real thing.



Keep up with all the Toothless updates by liking the official Facebook Page, and listen to The Pace of The Passing in full here.

This past Friday night at Schubas Tavern, Marika Hackman and The Big Moon created an IRL experience of Hackman’s latest album I’m Not Your Man. Released on June 2nd, the sophomore album from Hackman marks a departure and transformation for the formerly folk artist. Boosting blunt lyrics, lighter melodies, and a lax, carefree recording style, I’m Not Your Man takes listeners through a 15-song journey, featuring The Big Moon as the backing band for the majority of them. Before The Big Moon pulled their second shift of the evening, backing Hackman at the Lakeview venue, they had performed their own 45 minute set, which carried the same carefree mood of friendship that comes across on their recordings. In addition to songs from their debut album Love in the 4th Dimension, the group also performed a cover of “Total Eclipse of the Heart.” Between songs, the band kept the crowd laughing with a bit of sarcasm and banter, but the standout moment of their set occurred during their song “Bonfire.” Front woman Juliette (Jules) Jackson left the stage and abandoned her guitar to sing the song with the crowd.

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Jules from The Big Moon ventures out into the crowd

The same banter and laughter only amplified when Hackman joined The Big Moon, but the focus of the night remained on the effortless musicianship displayed between the friends. The songs from I’m Not Your Man translated beautifully in the live sense, seeing as most of the album had actually been tracked live, with a minimal use of overdubs. Hackman’s hourlong set focused on the new album, with a couple of older tunes like “Cinnamon” and “Ophelia” sprinkled in. The direct, honest lyrics of tracks like “My Lover Cindy” and “Violet” had the crowd captivated and wrapped around Hackman’s finger. Prior to performing the latter, Hackman introduced “Violet” as a sexy song, encouraging the crowd to kiss their dates (only with consent) if they were feeling it. “Gina’s World” also stood out during the 11-song set, with its hauntingly heavy guitar riffs and striking harmonies, which echoed beautifully throughout the venue. Just before the set wrapped up with the dreamy “BlahBlahBlah,” Hackman and The Big Moon performed the lead single from I’m Not Your Man, Boyfriend.” The playful tune teased the light-hearted reinvention of Hackman before the release of the album, and it definitely acted as a highlight of the live show.

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Marika Hackman singing her direct and honest lyrics

More photos from the show 

Want more Marika? You can grab the physical album of I’m Not Your Man at the shop, or order it from the Shuga webstore here.


This article was originally posted on ANCHR Magazine.

Get to Know: Sedgewick

The three members of Chicago’s own Sedgewick have been through quite the journey since they first released their debut EP Gardens in 2015. First off, the group expanded when Jake Hawrylak joined founding members Sam Brownson and Oliver Horton. Secondly, the group has worked to broaden and reinvent their style of music. Cumulating influences from all different corners of R&B, Hip Hop, Rock, and Alternative genres and sub-genres, the trio have built a sound that’s completely their own. With this distinct new sound comes a rebirth of sorts and a fresh slate for the group to take their music to different venues around their hometown and on tour.

Last month before Brownson, Hawrylak, and Horton took the stage at SPACE in Evanston to support Family and Friends, I met up with them to talk not only about their new album, but the journey leading up to it. Find out which groundbreaking albums inspired them, what challenges they faced, what they love about the Chicago scene and more in our talk with Sedgewick.

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Sedgewick backstage at SPACE last month

THE NEW ALBUM HASN’T GONE ACCORDING TO PLAN…

But not in a bad way, the band say. While the album that the three members of Sedgwick set out to make may have been left behind long ago, the band are all extremely proud and happy with how their finished product has come out, even though it’s far from what they first envisioned. Oliver Horton shared his take on the recording process saying, “It’s been really exhausting. It’s a lot of hard work. But it’s gratifying work. It feels really good to get these in some sort of place where we can send them off to people and be really proud about it. I’m super proud of it. I really think it’s gonna accomplish what we want it to. A lot of planning for this has just all sort of fallen by the wayside. What we planned to do with it.” Horton continued on to reflect about the effect on the band that this change in route had, saying, “That alone has created a bond between the three of us that we’ve never had before. Sort of dealing with that, dealing with that totally unexpected has caused us to grow deeper together. I think that’s really starting to show up in the record. It’s been really interesting. Just rolling with the punches and seeing what we can come up with.”

Jake Hawrylak echoed that sentiment on the recording process, adding, “It’s been very eye opening. It’s been very enlightening in a lot of ways. Hands down the biggest thing any of us have been a part of, not just in terms of budget, but in terms of scope. In terms of sounds… I think where we’re at on a personal level too.” Sam Brownson weighed in on the biggest challenges of the process, saying for him the mixing proved to be the most difficult. “The hardest thing is to draw the line for yourself and as a group and saying this expresses what we want it to. And also being ok with saying if it doesn’t we can’t control how it’s gonna affect someone that listens to it. It’s a lot of trusting instincts. I’ve learned how to sit down over the course of recording and just do what feels good,” Brownson said.


THEIR INFLUENCES RANGE FROM BON IVER TO FRANK OCEAN 

In addition to the departure from Plan A, the band have also had a departure from the strictly folk sound of their EP. Their live set opening up for Family and Friends incorporated so many layers and took so many twists and turns. Before they performed, the band gave a little bit of insight as to where that influence stems from.

Brownson shared his influences, saying, “When the Dirty Projectors record came out, I….that changed how I thought about mixing. I’ve also been listening to a lot of hip hop music lately… Like SZA and Kendrick Lamar’s new record. From a mixing perspective, the space that those records create are very influential.”

Hawrylak also found some specific influence from Kendrick Lamar and other artists. He shared his insight on specific records that made his year, adding, “It’s been interesting to me to watch a lot of the bands we play with and a lot of Chicago industry people who keep talking about how the record’s dead. That everybody just needs to start releasing singles or songs. Then something likeDamn. comes along. Or A Seat at the Table or Blond and they’re very much—[they] needed to be records. There’s a very specific narrative. Or on the non-hip hop side, the new Fleet Foxes that just came out is very much a record. The songs exist in their own framework, or one thing at a time. But there’s this specific arc that I think it captures. Which is so much of what was enjoyable when I really started to get into music. The records and getting lost in the world it creates. 22, A Million, the Bon Iver record, huge one for me last year.”

Brownson interjected to say that they listened to that Bon Iver record a lot while making their record. Hawrylak continues, “‘Creeks’ was one of the more frustrating songs I’ve ever heard. That was a sound that we wanted on the record. Then that came out and we were like that’s exactly what we were trying to do.” Tying back into the change in path for the album, Brownson says, “It’s also a credit to how much space this record has spanned for us. Cause we were in the studio when 22 A Million came out. Since then, Dirty Projectors. Damn. I just remember seeing like all that stuff came out and saying wow, this has been a journey.”

Hawrylak says the band are also able to measure their own personal growth through these records and how they’ve evolved for him as a listener. “Blond is a great example. That record meant something very different to me when it came out to like a year later. Particularly to that album, half of the songs I loved and half of them were like ah whatever. Then in that year, I’ve come around to see what was brilliant about those other songs,” he said. Brownson echoed that, saying, “I think that over the course of the year…the advantage of making a record over the course of a long time is that you internalize what’s going on around you. You can’t help but be influenced by the trends, or the energy and culture going around. I feel like that was very–initially you think you want to get it out right away. Which, I think there’s merit to that, but I also think there’s something about sitting and letting it marinate and you as a creator, listen and try to understand its relevance. So that’s been very cool.”


THEY CONSIDER CHICAGO’S MUSIC SCENE ECLECTIC AND COLLABORATIVE

Although Hawrylak disagrees with some fellow Chicago musicians who think the record is dead, the band are all very appreciative of the collaborative scene that Chicago is known for. As far as his favorite musicians, he says, “ Astro Samurai is like one of the coolest bands I’ve seen. They call themselves ‘Third Eye R&B.’ They’re working on something special.” After Brownson interjected to show his appreciation for NoName, who they don’t know personally but very much admire, Hawrylak eagerly agreed that the Chicago poet and rapper is one of his favorites as well. Hawrylak continued on to say, “Saba is another one. We did a Sofar Sounds with David Ashley. He was the MC. He was really cool. For me so much of what’s cool is it’s rooted in poetry in a very particular way. NoName came up in the local After School Matters program. There’s a very distinct cadence to her flow that comes from that. It’s casual and maybe that’s what I like about the Chicago scene. It’s casual and eclectic. Like NoName is casually rattling off this fucking rapid fire, weird twist of images, then she starts singing and then she goes back. Jamila Woods is another one! Good god!”

Brownson then called attention to the spirit behind so many of these up and coming artists in Chicago, saying, “I think for me, the collaborative spirit and friendship. From what I read about NoName, she’s got a lot of people and this music community where they all look out for each other and help each other out. That’s just not the way I was brought up to think about the music industry. Just a group of friends getting together making good music? It was always like, sell your soul so you can continue to do this. Instead of saying no I want to have deep relationships with people. That’s part of the reason why I connect so deeply with her music, and Chance and Saba and all those people because they invite you in. It’s just this spirit of friendship.”

Horton concurred with his bandmates observations on the city’s spirit, saying, “It’s a small city! Especially considering the music scene.” Bouncing off that small city sentiment, Hawrylak said, “Look at like the people on Acid Rap. It’s all Chicago people. It’s the whole record. That was my first exposure to the scene. I was playing bass with a guy named Brendan Forrest, he goes by B. Forrest. He’s friends with a lot of the Sidewalk Chalk people, who connected me to Jude [Shuma]. When I met Brendan, he needed a bass player, and we got connected. He started showing me his tunes and first record he came out with, was every other track was with somebody. Now he’s working on a new one, and every track is about collaboration.”

Brownson wrapped up his take on the Chicago scene saying, “If you just are a good person, it pays off. Even if you don’t make big bucks, you’re gonna be happy with your relationships. If you decide I just want to make good art for the right reasons… I want people to hear it, but I’m not gonna fight and shove it down people’s throats to make a dollar.”

Horton chimed in with an influence of his who holds similar values, saying, “Another musician for me, is Jamie Chamberlin. He’s been a huge mentor to me. He has exemplified exactly what an old guy on the scene needs to be doing. I’ve seen a lot of musicians treat each other really poorly. It’s amazing to see a dog as old as him and how frequent he’s been on the scene, how lovely he is to be around. You can tell he’s an amazing human being. He honestly cares about you when you show up to a gig. Seeing that has made me realize what’s so amazing about music. Treating people with respect. Giving them integrity when you speak to them. Making sure everybody is held accountable for what needs to be said. I feel like that has really taken a ramp up at least in our band, as far as accountability and integrity. Seeing that roll around all these really cool scenes in Chicago is really interesting to me.”


THEY DESCRIBE THEIR LIVE SHOW AS INTENTIONAL DISORIENTATION

At the Friends and Family show, the band performed the entirety of the new album to the crowd. Talking more about the set, Hawrylak said, “We’re kind of doing the whole record backwards, which is funny. I think. I’m really liking the ones that sound bigger than they should. I like the ones that take people by surprise when we have a lot of other loops and stuff going on. We were just on tour back home where I’m from, in New Mexico. One of the cooler things that one of my friends said was that she didn’t know where anything was coming from after a while. It was hard to tell who was creating what sound. I think I like getting in that space of intentional disorientation.”

Although they managed to create this layered and intense live set now, Hawrylak admits it’s quite challenging to get there at times. “The way we play the songs live is a little different.  For better or for worse. We’ve been running into a lot of problems with sound guys when we pull out this upright, these synthesizers, all this gear…they’re like what the hell? And they’re immediately mad. Then after check, they start to kind of get that it’s supposed to be a little different. With the record we’re kind of trying to balance how do we make it it’s own thing that’s still a faithful representation in the live set. Cause we have strings and a choir and all this other stuff on the record. Live, it’s just the three of us,” he said.

Brownson mentions some highlights of their recent live shows. Talking about their recent tour, he said, “We got to see Jake’s hometown. The music was incredible. The shows were incredible. But I think we all kind of had time to just spend time together as people and talk more about what and why we do music. Why we love and respect ourselves. Why it’s important to do that. In the process getting to know Jake and also Oliver who was going through some stuff. We were all going through stuff together. That relationship is a huge part of why this record feels so good and it’s a huge part of why the show is how it is because of this energy.”


“Industry people keep talking about how the record’s dead. That everybody just needs to start releasing singles or songs. Then something like ‘Damn.’ comes along. Or ‘A Seat at the Table’ or ‘Blond’ and they’re very much—-needed to be records. There’s a very specific narrative.”

— Jake Hawrylak on making a proper record

THERE’S A LOT MORE TO COME IN 2017 FOR SEDGEWICK 

The band is obviously ready to get the record out to listeners, but they’re also ready for what goes along with a proper album release. Hawrylak elaborates, saying, “I am excited about putting out the record. It’s been a long time coming and it’ll be good to have it out in whatever form. I’m most excited about the new perception we can give people of ourselves. A lot of the songs on the EP were just completely different from where we are going with the record. I wasn’t in this band for the EP, so I can’t say much more than I like the songs. But I’m really proud of what this record has become. I’m really proud of a lot of the journey that became of it. I want to share it! We did three different tours to wet our feelers in the name of this record. I’m kind of ready to start going out and bringing it to people.”

Horton reveals what he’s most excited for with the upcoming release, and even afterwards saying, “I’m really psyched for scheduling and doing the PR and making sure we’re really super ready to have a huge release show. We’re really looking forward to cultivating something that nobody has ever seen before. Maybe more importantly, I’m getting super stoked to get back in the creative process with these people. Whenever that is, I think the next whatever it is, it’s gonna be much more webbed together. It’s gonna feel really good to create something again. These songs at this point are like…we’ve recreated them so many times. One of the tunes is four or five years old. We’re ready to just wipe the slate and start over.”

The band continue on to say they’re currently performing songs that have been around for over three years, but they still feel fresh thanks to arrangements they’re worked out. They also admit they’re at peace with the process taking as long as they need, saying, “We’re no longer at the point where we just want to put out the record when it’s done. We kind of want to raise some interest. And do it right. Put it in the right hands.”

The trio don’t have a definite release date, but they’re just enjoying the process. “That’s really important. I’m looking forward to having a fresh ear for new things and I feel like this record has been–what’s great about it is, this whole thing is a process. [The record] reflects the process. The process has led us to some really cool things for the next project as well. That’s what this record is– it encapsulates an evolution in itself. I’m excited to share that,” Brownson concluded.

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Sedgewick performing at SPACE

Sedgewick will performing at The Beat Kitchen this Sunday, August 6th to celebrate the release of their single “To Fold” from the upcoming album. Tickets start at $10 and you can grab them here.



This article was originally posted on ANCHR Magazine. Read the original post here