- David Bowie – Zeroes / Beat Of Your Drum (Limited Edition 7″ Picture Disc)
- Steven A. Clark – Where Neon Goes To Die (Limited Pressing on Yellow Vinyl)
- Clutch – Book Of Bad Decisions (‘Indie Exclusive’ on Coke Bottle Clear Vinyl)
- Oliver Coates – Shelley’s on Zenn-La
- Gold Star – Uppers & Downers
- House Of Krazees (Twiztid) – Home Sweet Home (Limited Edition 25th Anniversary Pressing on Translucent Yellow Vinyl)
- Ruston Kelly – Dying Star
- Lenny Kravitz – Raise Vibration
- Lenny Kravitz – Raise Vibration (Limited Edition 2 Lp Picture Disc)
- Lenny Kravitz – Raise Vibration (Limited Edition Super Deluxe Pressing on Colored Vinyl with 12″x12″ Harcover Book, CD, and Download)
- Kurtis Blow – Kurtis Blow (1980) (‘Urban Legends’ Reissue)
- L7 – Hungry For Stink (1994) (Limited Edition Reissue on Red Vinyl, Limited to 1700)
- LA Force – LA Force
- Paul McCartney – Egypt Station (140gram)
- Paul McCartney – Egypt Station (Deluxe Edition 180gram Audiophile Pressing with Concertina Sleeve)
- Mirah – Understanding
- Mothers – Render Another Ugly Method
- Mothers – Render Another Ugly Method (‘Indie Exclusive’ on Yellow Vinyl)
- The Munsters – The Munsters (1964) (Reissue on ‘Herman Green’ Vinyl, Limited to 800)
- Pantanlge – Sweet Child (1968) (Reissue on ‘Sky Blue’ Vinyl, Limited to 700)
- Spiritualized – And Nothing Hurt (‘Indie Exclusive’ on White Vinyl)
- Suicidal Tendencies – Still Cyco Punk After All These Years (Limited Pressing on Solid Purple Vinyl)
- Various – Go (Music from the Motion Picture) (2 Lp on ‘Gopaque Yellow’ Vinyl, Limited to 700)
- Various – True Romance (Motion Picture Soundtrack) (25th Anniversary Reissue on Clear with White Splatter Vinyl, Limited to 1700)
- The Weeknd – Kiss Land (5 Year Anniversary Reissue on Seaglass Vinyl)
New Vinyl Releases 8/31/18
- The Band – Music From The Big Pink ( 2 Lp 180gram 50th Anniversary Reissue)
- David Bazan – Care
- Big Red Machine – Big Red Machine
- Black Mirrors – Look Into The Black Mirror
- Boogarins – Lá Vem A Morte (Limited Edition Pressing on 180gram Smoky Clear Vinyl)
- Cardi B, Bad Bunny & J Balvin – I Like It (12″ Single)
- Cosmo D – The Norwood Suite (Original Score) (Limited Pressing on ‘Black in Blue’ Vinyl)
- Depeche Mode – A Broken Frame 12″ Singles Collection (Numbered Box Set- Remastered 12″ Singles)
- Depeche Mode – Speak & Spell 12″ Singles Collection (Numbered Box Set- Remastered 12″ Singles with 7″ Flexi Disc and Poster)
- Stan Getz – Cafe Montmartre (EU Import Compilation)
- Idles – Joy As An Act Of Resistance (Limited Edition Pink Vinyl)
- Iron & Wine – Weed Garden (‘Loser Edition’ on Amber Colored Vinyl)
- Jethro Tull – 50th Anniversary Collection
- Demetri Martin – Live (at The Time)
- Mogwai – KIN (180gram Limited Pressing on Transparent Red Vinyl)
- Nonpoint – X (Colored Vinyl)
- Pet Shop Boys – Behaviour (1990) (180gram Remaster)
- Pet Shop Boys – Very (1993) (180gram Remaster)
- Pet Shop Boys – Bilingual (1996) (180gram Remaster)
- Soundgarden – A-Sides
- Sufjan Stevens – The Avalanche (2 Lp Limited Edition Pressing on ‘Hatchback Orange & Avalanche White’ Vinyl)
- Thou – Magus (Limited Edition on Magenta Colored Vinyl)
- Various – Even More Dazed And Confused (Music From The Motion Picture) (‘Trippy Purple with Pink Splatter’ Vinyl, Limited to 1300)
- Wild Nothing – Indigo (Indie Exclusive on ‘Smoke Blue’ Vinyl with Di-Cut Jacket, Limited to 1000)
New Vinyl Releases 8/24/18
- Alice In Chains – Rainer Fog (180gram EU Pressing with Di-Cut Jacket)
- Animals As Leaders – Animals As Leaders Live 2017
- Mac DeMarco – Salad Days Demos (White Vinyl, Limited to 5000)
- Mac DeMarco – 2 Demos (Green Vinyl, Limited to 5000)
- The Devil Makes Three – Chains Are Broken (‘Indie Exclusive’ on Colored Vinyl)
- Joey Dosik – Inside Voice (Limited Pressing on ‘Stone White’ Vinyl)
- Ethers – Ethers (Limited Edition ‘Bloody Bottle’ Colored Vinyl)
- The Fever 333 – Made An America
- The Frights – Hypochondriac (‘Indie Exclusive’ on Opaque Blue Vinyl)
- Gruesome – Twisted Prayers (Limited Edition on Purple Vinyl
- Her’s – Invitation To
- Interpol – Marauder (‘Indie Exclusive’ on Cream Vinyl)
- Michael Jackson – Off The Wall (1979) (Picture Disc Reissue)
- Michael Jackson – Bad (1987) (Picture Disc Reissue)
- Michael Jackson – Dangerous (1991) (Picture Disc Reissue)
- Michael Jackson – History: Continues (1995) (Picture Disc Reissue)
- Michael Jackson – Invincible (2001) (Picture Disc Reissue)
- Darren Jessee (of Ben Folds Five) – The Jane Room 217
- Justice – Woman Worldwide (3 Lp and 2 CD Set)
- King Dude – Music To Make War To (Limited Edition on 180gram Red Vinyl with Poster)
- Bob Marley & The Wailers – Kaya 40
- Nothing – Dance On The Blacktop – (‘Indie Exclusive’ Bone White Colored Vinyl)
- Ohmme – Parts (Limited Edition Silver Vinyl)
- Pedro The Lion – Control (‘Indie Exclusive’ Reissue on Opaque Yellow Vinyl)
- Plain White T’s – Parallel Universe
- Rubblebucket – Sun Machine (‘Indie Exclusive’ on Lemonade Colored Vinyl with Lemon Scent Air Freshener)
- Sleep – Leagues Beneath (12″ Limited Edition Pressing with Etched B-Side)
- Tomberlin – At Weddings (‘Indie Exclusive’ on Mint Green Vinyl, Limited to 700)
- Various – Mean Girls (Original Broadway Cast Recording) (2 Lp Limited Pink Vinyl Pressing)
- Tom Waits – Foreign Affairs (1977) (‘Indie Exclusive’ Remaster on Opaque Grey Vinyl)
- Sunny War – With The Sun (‘Indie Exclusive’ on Red Vinyl, Limited to 200)
- YUNGBLUD – 21st Century Liability
New Vinyl Releases 8/17/18
- 6ix9ine – Day 69: Graduation Day
- Animal Collective – Tangerine Reef (180gram Green Vinyl with Etched D-Side)
- The Beach Boys – With The Royal Philharmonic Orchestra (2 Lp 180gram)
- Circles Around The sun – Let It Wander (2 Lp 180gram_)
- Death Cab For Cutie – Thank You For Today (‘Indie Exclusive’ on 180gram Clear Vinyl)
- Defeated Sanity – Chapters Of Repugnance (Deluxe Reissue with 3 Bonus Tracks)
- Ella Fitzgerald – Ella At Zardi’s (1956 Previously Unreleased Live Recordings)
- Great Lake Swimmers – The Waves, The Wake
- Mitski – Be The Cowboy (Limited Edition on ‘Coke Bottle Green’ Vinyl)
- The New Respects – Before The Sun Goes Down
- Trevor Powers (Youth Lagoon) – Mulberry Violence (‘Indie Exclusive’ on White Vinyl with Booklet)
- Jeff Russo – Star Trek: Discovery (Original Series Soundtrack) (Limited Edition on 140gram ‘Intergalactic Starburst’ Vinyl)
- Siouxsie And The Banshees – Join Hands (1979)
- Siouxsie And The Banshees – Juju (1981)
- Siouxsie And The Banshees – Tinderbox (1986)
- Siouxsie And The Banshees – Through The Looking Glass (1987)
- STRFKR (Starfucker) – Being No One, Going Nowhere (Remixes) (2 Lp 180gram on ‘Starburst’ Vinyl)
- Uniform – The Long Walk (Limited Edition on ‘Concrete Grey’ Vinyl)
- Various – Teen Expo: The Cleopatra Label (2 Lp Compilation with Booklet)
- Wavves – Wavves (10th Year Anniversary Reissue on Black & White Splatter Vinyl)
- Why? – Alopecia(10th Anniversary Limited Edition on ‘Milky Clear’ Vinyl)
A Chat With: Taylor Janzen
In a time where “fake news” is a thing, there’s something particularly refreshing about music that’s honest, raw, and vulnerable; especially when those authentic narratives are told with the uncomplicated delivery of an acoustic guitar and a sole vocalist. Enter Taylor Janzen, the 19 year old singer songwriter from Winnipeg who sings about topics as serious as mental health or emotional abuse, but fills her social media with more lighthearted musings (like her love of Dennis Quaid).
Janzen just released her debut single “Stations” at the end of June, but last week, she’s graced us with her debut EP–called “Interpersonal.” If you’re looking for a new artist whose tweets are just as relatable as her lyrics, look no further and dive into our conversation with Janzen below. We discuss her songwriting approach, having Hayley Williams as a fan, her favorite Dennis Quaid movie and so much more.
What do you consider to be your first music memory…Either what really got you into music or what got you interested in playing it?
My first musical memory was when I was 5 or 6, my mom had bought me the first two Avril Lavigne records…I think the second album had just come out. She bought me the first two, and I was in love with her. I thought she was the coolest person. I wanted to be her. I just remember thinking she was the coolest ever.
I went through that Avril phase too so I can relate! So your debut EP is coming out this month, and you co-produced it. What can you tell me about the whole process behind it and working as a co-producer?
When I wrote it–I didn’t really sit down and write it. I pulled from different songs and tried to make it as thematic as possible, and cohesive. I wrote them over a year. It was a very interesting process to work with someone else. I’ve never done that before, but I worked with my friend Shane. He is brilliant and we did it out of his house, but he actually knew what he was doing as opposed to me making weird stuff in my basement. He was so cool to work with. He’s a great friend and great musician, and he helped make them sound a lot better than I think they originally did. It was interesting to work with someone else cause I’d never done that, but it was a really cool experience to have someone else’s perspective and someone else’s ears on it.
As far as your two singles that you’ve released…You have “The Waiting Room” which tackles the subject of mental health, and a lot of people find it taboo to talk about and it really shouldn’t be. Then with “Stations,” you talk about emotional abuse. Did you find it challenging to open up about subjects like that, which are so personal, or is it more rewarding for you to be able to let that out?
I think the first moment that these are shared is always the scary moment. Actually the scariest moment is when I played them live for the first time. One of the songs on the EP called “Colourblind”–that one was probably the scariest song I’ve written. I would put it on my set list and then take it off right before I was supposed to play it. I would just switch it out with a cover, and be like I’m not playing this song! People are gonna think that it’s too much. Now it’s one of the songs that gets the most reaction out of people. That one and “The Waiting Room.” It’s the one that I’m most proud of, and it’s really interesting how the ones that you’re usually most scared of are the ones that people like the most or connect to the most. Cause they’re honest. And they’re transparent. So it’s scary at first, but I think once you can get into it, it is less scary.
Yeah, there’s that reward that comes with the risk. Then I know Hayley Williams has voiced her love for your music, and I know you’ve done Paramore covers in the past. So how does that feel to have her support?
That is so crazy. She’s so cool. She’s one of the first artists, or Paramore is one of the first bands that I ever fell in love with in a real or personal way. I remember basically watching Hayley Williams be able to stand up there and be a woman and not be afraid of her loudness. I think sometimes as women, we’re told to tone ourselves down so much and just to watch someone embrace those parts of herself and not be scared of herself, that was the most empowering thing and that’s always been something that inspired me. The fact that she would listen to anything that I would ever write, is crazy to me. She’s one of the reasons why I feel comfortable being myself.
Are there any other women in music that you find to be great role models or inspire you?
Oh man yeah! I’m just always so inspired by women who are not afraid of themselves. Like Torres I always say is one of my favorite artists. As a songwriter she’s so open and honest and smart about the delivery. Then I’m always super inspired by The Yeah Yeah Yeahs. Like Karen is just so cool and so herself. She doesn’t focus on like…I love the way her voice is. She doesn’t try to make it sound pretty, it’s more emotive and expressive and I love that. Or you know, I could go on, but Brandi Carlile. I love the dynamic of her music.
Yeah, I love how those women are examples of completely different types of music, but they’re all so inspiring. So kind of switching gears a little bit, I saw your tweet the other day from when you were in LA. You took a picture in front of Dennis Quaid’s star on the walk of fame and you referenced his bit that he does with Ellen yelling “Dennis Quaid is here!” So what is your favorite bit he does with her, cause he’s done a few.
He has! I think the original one was so iconic. I think would be my favorite, but I love the one where he goes to like that massage therapist and she makes him eat the tomato. He suffers for his art. Truly! I love Dennis Quaid. I just want to talk to him. I feel like he’s just so calming. I have a song named after him.
I saw that when I researched! You really do love him.
Yeah, when I was in LA I wasn’t there for a long time, so I only had time to do one cool thing that wasn’t related to the industry. So I wanted to see Dennis Quaid’s star.
Priorities! What would say is your favorite Dennis Quaid movie?
Oh, Parent Trap! 100 %. Why is he so cool? He just seems like the cool dad.
So I was going to ask, and you just kind of mentioned it, but was this your first time in LA when you had that show there?
Yeah! I’d never been to LA yet.
What else is on your bucket list in LA, or anywhere else in the states?
I would love to see all these cities in America. I was recently in Nashville and that was really cool. I want to go to New York. I’m easily impressed by things since I’m from Winnipeg. I love Winnipeg…but when I was flying into LA I was so impressed by like how not-flat it is. I’m very intimidated by big cities, but I’m also really fascinated by them. I really want to go to New York one day and also go back to LA.
Did you have any culture shock moments in LA?
Everyone really likes avocados. Also my manager got his burger lettuce wrapped when we went out for dinner.
It’s such a health freak city!
I’m just kind of blown away by the people and how busy and huge and spread out [the city] was.
Besides LA, you also played the Winnipeg Folk Fest and The Real Love fest recently. So how did those go? Any highlights?
Yeah so my show in LA was the first real show I played out of Manitoba. I’m excited to do more of that! Winnipeg Folk Fest went so well, then Real Love Fest was out in Teulon, Manitoba and I had to drive a lot for it. It was really fun. I was really tired from LA, but the atmosphere was so chill that it did not bother me at all.
Any other plans to tour once the EP is out?
Yeah, I’m for sure working on getting something. It takes a lot of planning!
Any other local bands that you’re really into that I should check out?
Yes! I love the local scene so much, I have like an embarrassing amount of pride for it. I think my favorites right now are Boniface… it’s actually named after the neighborhood they grew up in and which I grew up in, called Saint Boniface, so it’s like extra local for me. There’s also Olivia Lunny, she’s an incredible singer songwriter. She’s really feel good, I love listening to her when I drive everywhere. Then my friend Cassidy Mann also just released a single. It’s incredible. There’s a lot of really really good music here. I think because it’s so secluded people don’t really hear about it?
Awesome, I will check them out! Any last closing comments?
I never know what to say at this part. My EP comes out on August 10th and I’m really excited and hope people like it.
And support Dennis Quaid?
Yeah! Show him some love!